Word: rootless
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...love story enveloped by catastrophe. That's why Hollywood's anxiety about the movie's supposedly limited appeal to both sexes was needless. Indeed, Avatar's closest kin among current hits may be The Blind Side, the female-skewing sports film. Both tell stories of strong women who find rootless young men and give them a purpose around which they can build their lives...
Playing on a mere 15 screens, Up in the Air soared to a stratospheric $1.2 million. The Jason Reitman comedy-drama, starring George Clooney as a charming, rootless management consultant who flies around the country firing people, was deemed a front runner for the Best Picture Oscar after its premieres at the Telluride and Toronto film festivals. The National Board of Review, the first big group to announce its year-end awards, showered Up in the Air with four major laurels: best film, actor (Clooney), supporting actress (Anna Kendrick) and adapted screenplay. The picture, which comes to your neighborhood...
...degree, of course, three generations living under one roof has long happened in the U.S., but in the 20th century, America became a particularly mobile and rootless society. It is hard to care for one's parents when they live three time zones away...
...feels strangely ungrateful for this wealth of observation. Moore's narrator is Tassie, a rootless 20-year-old who signs on as a nanny with an unconventional couple who have adopted a baby. Moore totally overpowers Tassie with her brilliance--observing and recording with the laser eyes of an ancient sibyl, not a Midwestern undergraduate with low self-esteem. As the drifts of perfectly turned moments mount up about the reader's shoulders, along with a corresponding paucity of dramatic incident, forward motion becomes increasingly difficult. Moore is a great writer, but you wish that every once in a while...
...more renowned contemporary, J.M. Coetzee’s “Waiting for the Barbarians.” Whereas Coetzee uses myth to provide an account of nobility in the midst of brutality—itself a critique of South African apartheid—Rodoreda’s rootless fantasy world communicates comparatively little of Coetzee’s allegorical power. Through the unnamed narrator, Rodoreda implements an emotionally stripped style as a stand-in for wanton horror: “The blacksmith did not want me to entomb my child in the tree. He said he would...