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...last December on a national news program in Britain. In museums: Manhattan's Museum of Broadcasting is showing a two-month retrospective of the 18 films Hitchcock directed for TV. Even on the fashion pages: Couturier Paul Monroe has unveiled a new line of "Hitchcock dresses," including a Rope T shirt, with its coiling cord, and a Psycho frock that mimics a certain shower curtain in the Bates motel...

Author: /time Magazine | Title: Cinema: The Master Who Knew Too Much | 3/26/1984 | See Source »

...first of the quintet to be rereleased, has earned $6.8 million in just five months, and Vertigo (1958) has taken in more than $3 million since the end of December. The Trouble with Harry (1955) has just opened to good business, and similar grosses are expected for Rope (1948) and The Man Who Knew Too Much...

Author: /time Magazine | Title: Cinema: The Master Who Knew Too Much | 3/26/1984 | See Source »

...acting at its most mannered. The Man Who Knew Too Much, a remake (of Hitchcock's 1934 British thriller) that is 45 minutes longer than the original, languishes in travelogue for its first half, then indulges in frissons that for this director are routine. The technical bravado of Rope (the entire 80-min. film comprises just twelve shots, as opposed to several hundred for the average feature) does not quite justify the homoerotic hamminess of John Dall and Farley Granger as the two college psychopaths. That leaves Rear Window, a delicious entertainment mixing romance, voyeurism, homicide and humor with...

Author: /time Magazine | Title: Cinema: The Master Who Knew Too Much | 3/26/1984 | See Source »

There is no contradiction between Hitchcock' canny conservatism and his directorial eminence profit and honor went hand in glove. Even his brief cameo appearances (silhouetted in the neon skyline of Rope, for example) are a playful cue to the viewer to watch every frame for tricks and revelations. The qualities that made him the world's best-known moviemaker were precisely the ones that made him one of the best film artists...

Author: /time Magazine | Title: Cinema: The Master Who Knew Too Much | 3/26/1984 | See Source »

...throwing temper tantrums and quarrelling with his wife and father in front of his young son. Later, when we learn the reason for his aberrant behavior, the excuse seems insufficient. Waterston remains on one level throughout his portrayal of this man who has clearly reached the end of his rope: his rope: his strained hysterics rarely vary...

Author: NO WRITER ATTRIBUTED | Title: Floundering In The Dark | 2/14/1984 | See Source »

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