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Word: rosalinde (lookup in dictionary) (lookup stats)
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Milton and Mom, who were accompanied on their tours for years by his younger sister, Rosalind, made it a point to be the first arrivals at rehearsals to get priority on the songs Milton wanted to sing. Early in the game, Mom began to serve as an audience "plant." In line of duty, she has cut loose with her piercing, roof-shaking laugh in every major theater in the U.S. Only a frankly hostile audience could resist Mom's lead. Milton's stage response to her laughter has become standard: "Thank you, mother," and that is usually good...

Author: /time Magazine | Title: Radio: The Child Wonder | 5/16/1949 | See Source »

...same programs." But NBC was nonetheless glad to be keeping some of its own: Fibber McGee & Molly, Phil Harris & Alice Faye, Bob Hope, "Duffy's Tavern." Trammell had also thrown together, he revealed, 30 fresh programs, which will employ such well-known stars as Cinemactors Charles Boyer, Rosalind Russell, Olivia de Havilland, Gary Grant and James Mason, as well as Comics Dean Martin, Jerry Lewis and Henry Morgan...

Author: /time Magazine | Title: Radio: The Future of NBC | 3/14/1949 | See Source »

...Velvet Touch (RKO Radio) opens with a furious quarrel. A Broadway actress (Rosalind Russell), famous as a drawing-room-comedienne, wants to move on to roles like Hedda Gabler and to move out on her producer and ex-lover (Leon Ames). He tells her contemptuously that he made her what she is, that she couldn't play Hedda for peanuts, and that if she leaves him he will publicize her Past. At this point Rosalind crowns the rotter with a statuette...

Author: /time Magazine | Title: The New Pictures, Aug. 30, 1948 | 8/30/1948 | See Source »

...whole business is very sleekly done and is fairly suspenseful and entertaining. But all the intelligence and talent are wasted in putting a high polish on emptiness. The show is a solid necklace of carefully matched cliches. Rosalind Russell is competent in her rangy, highly stagy role, but she skillfully avoids proving whether she can, or cannot, play Hedda...

Author: /time Magazine | Title: The New Pictures, Aug. 30, 1948 | 8/30/1948 | See Source »

...children, the weak Orin, and the strong Lavina (the Electra of Aeschylus). After killing their mother's lover and making her commit suicide, they are obsessed by their own guilt, and Orin, who is played superbly by Michael Redgrave, commits suicide himself, while Lavinia, played by Rosalind Russell with what is probably the best acting of her career, retires to the Mannon mansion to spend the rest of her life suffering for her ancestors' misdoings. The conflict of the picture is seen complete in Lavinia's mind, for she, first a Puritanical Mannon, becomes more and more like her mother...

Author: NO WRITER ATTRIBUTED | Title: 'Mourning Becomes Electra' at the Astor | 4/5/1948 | See Source »

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