Word: rosalinds
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...cast is laden with all sorts of luminaries (Harry Belafonte, Calvin Lockhart, Richard Pryor, Rosalind Cash) and among them there are a couple of nice but wide comic turns: Roscoe Lee Browne as an enjoyably fulsome and hypocritical politician, and Flip Wilson as a preacher who exhorts his congregation, "We need more romance and less hot pants." Cosby is affably anxious, but Poitier's idea of comic acting is to bulge his eyes out, as if doing a Mantan Moreland impression. It is said of some movies that they look like photographed stage plays. Uptown Saturday Night looks like...
...some of the names and chances of the 13 likely candidates. Early favorite, the Most Rev. Donald Coggan, Archbishop of York, is now tied at 3 to 1 with Bishop John Howe. Not everyone has greeted this extension of weekly bingo in the church hall with delight, however. Mrs. Rosalind Runcie, wife of the Bishop of St. Albans, the Rt. Rev. Robert Runcie, currently quoted at 7 to 1, declared herself to be extremely embarrassed. She said: "It's revolting to turn important church affairs into a horse race...
...White House command performance and a TV special, Ol' Blue Eyes Is Back, Sinatra made his first nightclub appearance in three years at Las Vegas' Caesars Palace. Last week, after a standing ovation from an invited audience of 1,300, including James Stewart, Helen Reddy, Rosalind Russell, Daughters Tina and Nancy, ex-Wife Nancy and his mother Dolly, Frank sauntered through a variety of old favorites, from Come Fly with Me to My Way. For the one-week engagement, Sinatra's pay is reported to be more than $200,000, with patrons paying an imperial $30 each...
Eastman has a quirkish, distinctly personal tone that goes coy once in a while, as in a labored double-entendre exchange between Vic and a black woman (Rosalind Cash) over the installation of a car radio ("Do you want it in the front or in the back?"). But the movie is also full of humor, melancholy and some dazzling film making. This is Eastman's first film as a director, but he demonstrates considerable sophistication, a feeling for textures and odd nuances. One long scene in a gym-empty at first, then slowly filling with fighters doing exercises...
...result, Lear's descent into madness after Goneril (Rosalind Cash) and Regan (Ellen Holly) turn him out of the very houses he gave them is distressingly smooth, almost melodramatic. Jones never touches the universal and timeless fears of generational revolt that are implicit in the play. Indeed, much of the time his work seems more elocutionary than emotional. He relies too heavily on wowing the audience with his rich, supple voice...