Word: rosanna
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Jill Rosen (Rosanna Arquette) is bright, Jewish and just pretty enough to be told she has that Audrey Hepburn quality. "Sheik" Capadilupo (Vincent Spano) is Italian and shiftless, with Vaselined hair and a wardrobe that Giorgio Armani might have designed for Jimmy ("the Weasel") Fratianno. She loves rock 'n' roll, he loves Sinatra. She's going to Sarah Lawrence, he's going nowhere. They have nothing in common but an over whelming love for her. But something in Jill thrills to the troubles Sheik gets himself into and to the threat he poses to her middle...
...Darn (Victor Patrick) directs the KGB agents within the Law School, aided by comrades Boris (Rosanna Marquez) and the bearded Natasha (Temple Dickinson), whose female name is the closest the play comes to transvestitism. The fat actor also eats from a Purina dog chow bag and smiles eagerly at the expression "you're beating a dead horse." Agent Orange (Nancy Frantz) bursts out of a frigid, schoolteacher's exterior in the sultry song Mean Streak. Dean Dean (Phil Kraft), the absent-minded administrator, sits naked in a kiddie pool and sings to his rubber duck about the comparative rigors...
Walter and Barbara and Dan and John were all televisibly on the scene. But where, wondered fans of NBC's Saturday Night Live, was that mistress of digression, Rosanne Rosanna-Dana? "Rosanne won't be covering the convention this year, perhaps in '84," said Gilda Radner at a fund raiser for Manhattan Democratic Congressional Candidate Mark Green. As soon as she popped out of the elevator atop the Empire State Building, she was set upon by a swarm of would-be Woodsteins under age 14 reporting for Children's Express. Well, as Rosanne might have known...
...Scary Thing. Black businesswomen often contend that the toughest prejudice that they face is not racist but sexist. Rosanna Wright, 30, president of Wright-Edlen Advertising Inc. in Los Angeles, takes the most optimistic view. "White men find it easier to work with a black woman than with a black man," she says. "They don't expect women to succeed, so they figure that they might as well help us along. Still, it's a struggle." Adds Shirley Barnes Kulunda, an account executive with Manhattan's J. Walter Thompson ad agency: "When white businessmen look...
...till in Victim No. 4 (Rosanna Schiaffino), phony Tony meets a mankiller who shows him how two can die as cheaply as one. By that time, unfortunately, the joke has gone on too long, and the spectator is left with a somewhat unnerving realization: at 41, Curtis seems most at home in his scenes as Little Lord Fauntleroy...