Word: rosay
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...souvenirs they wanted were not so much of the war they'd served in as of the women - war brides and whore-brides - they had encountered. So to add a touch of exotica or erotica to their movies, American producers imported actresses from France (Corinne Calvet, Francoise Rosay), Austria (Maria Schell), Japan (Miyoshi Umeki) and especially Italy (Alida Valli, Sophia Loren, Anna Magnani, Gina Lollobrigida, Silvana Mangano ... and the twins: Pier Angeli and Marisa Pavan). These actresses and others gave an appealing face, and body, to foreign films, which had then what most of them lack now: star quality...
...shotgun accident that may have been a suicide. A group of characters from his past have been summoned for the reading of the will. They make up a nicely varied assortment: two ex-wives-one of them an old dreadnought of an actress superbly played by Françoise Rosay-three mistresses and three men, including a dyspeptic theater critic, jealous of Antoine's sexual and professional success...
...Cloportes is a squashy but grimly amusing study of insect behavior. At best, it pins down some first-rate talent. France's Singing Idol Charles Aznavour wryly impersonates a crook-turned-cultist whose swami act is last seen floating in the Seine, and Veteran Actress Françhise Rosay rabbets in some surprises as a hardened crone who rents out high-powered burglary tools by the hour. Any doubt that the female is the deadlier of the species is dispelled by shapely Irina Demick, who shows up rather late as an art gallery receptionist all abustle with...
...from the Beach. "What is it all about?" asks Françoise Rosay, a world-weary old Frenchwoman caught in the tumult of D-day in Normandy. Such questions are staples of the burgeoning crop of movies about World War II. Perhaps the worst blow that can befall a war drama is to let the hostilities lag while homilies ricochet among the ruins, and Beach too often calls time out for talk...
Wendy Hiller brings Miss Tina quiveringly to life, at first, touchingly timid, in the end, touchingly rash. Stunningly miscast as the Jamesian relic of a more gracious age. Franchise Rosay, with her Gallic accent and facial gestures, seems rooted in some irascible French family film. Maurice Evans elegantly elocutes lines that might better be spoken, but the talk is a smokescreen for a character that isn't there...