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Word: rosay (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...shotgun accident that may have been a suicide. A group of characters from his past have been summoned for the reading of the will. They make up a nicely varied assortment: two ex-wives-one of them an old dreadnought of an actress superbly played by Françoise Rosay-three mistresses and three men, including a dyspeptic theater critic, jealous of Antoine's sexual and professional success...

Author: /time Magazine | Title: Stage Abroad: Cher Jean | 11/14/1969 | See Source »

...Cloportes is a squashy but grimly amusing study of insect behavior. At best, it pins down some first-rate talent. France's Singing Idol Charles Aznavour wryly impersonates a crook-turned-cultist whose swami act is last seen floating in the Seine, and Veteran Actress Françhise Rosay rabbets in some surprises as a hardened crone who rents out high-powered burglary tools by the hour. Any doubt that the female is the deadlier of the species is dispelled by shapely Irina Demick, who shows up rather late as an art gallery receptionist all abustle with...

Author: /time Magazine | Title: Cinema: Bug Study | 5/6/1966 | See Source »

...from the Beach. "What is it all about?" asks Françoise Rosay, a world-weary old Frenchwoman caught in the tumult of D-day in Normandy. Such questions are staples of the burgeoning crop of movies about World War II. Perhaps the worst blow that can befall a war drama is to let the hostilities lag while homilies ricochet among the ruins, and Beach too often calls time out for talk...

Author: /time Magazine | Title: Cinema: Encore la Guerre | 6/18/1965 | See Source »

...moldering Venetian palazzo in the late 19th century sit two desiccated women. Miss Bordereau (Franchise Rosay) is 100 or so and has wrung life dry; her old-maid niece. Miss Tina (Wendy Hiller), has had life squeezed out of her. In swirls a worldly dandy, Henry Jarvis...

Author: /time Magazine | Title: Theater: Dust in Venice | 2/16/1962 | See Source »

Wendy Hiller brings Miss Tina quiveringly to life, at first, touchingly timid, in the end, touchingly rash. Stunningly miscast as the Jamesian relic of a more gracious age. Franchise Rosay, with her Gallic accent and facial gestures, seems rooted in some irascible French family film. Maurice Evans elegantly elocutes lines that might better be spoken, but the talk is a smokescreen for a character that isn't there...

Author: /time Magazine | Title: Theater: Dust in Venice | 2/16/1962 | See Source »

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