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Word: rose (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Woman of the Year, Rose Kennedy...

Author: /time Magazine | Title: Letters: Dec. 13, 1968 | 12/13/1968 | See Source »

...them to their growing audience in the U.S. Festooned with colorful rugs and cluttered with instruments, the stages on which they appeared had the aura of gypsy encampments. That aura was heightened by an occasional waft of incense and by the presence of two girls known as Licorice and Rose (real names: Caroline McKechnie and Rose Simpson), who live, travel and perform with the band. Resplendent in beads, braid, silks and velvet, Robin and Mike wandered about, sipped tea, and spent interminable intervals tuning up. But once they started singing, they wove a trance...

Author: /time Magazine | Title: Folk Singers: Talismans of the Beyond | 12/13/1968 | See Source »

...social dropout in The Graduate. Though the audience never sees him painting, Jimmy is an abstractionist and a dud at it. He is a glutton for humiliation. As "the only abstract painter in the Village who isn't getting laid," he keeps steady dates with a prostitute (Rose Gregorio) who can't refrain from telling him that her other clients are more sat -isfactory in bed than...

Author: /time Magazine | Title: Theater: Urban Picaresque | 12/13/1968 | See Source »

...same way, Susan Larson is something of a disappointment as Rose Maybud, a characteristically Gilbertain example of innocent rural lust. Her singing voice is pleasant enough, but she walks through her lines, apparently baffled by the splendid prop she carries, a book of etiquette. Of all the cast she might have benefited most from stage direction...

Author: By Charles F. Sabel, | Title: Ruddigore | 12/9/1968 | See Source »

...discussing the coincidental case with which they rose to prominent positions and the freedom they afforded themselves and others, these artists reveal a sublimely naive attitude toward their business, if not their craft. They are often unwilling to acknowledge the development of American film into a major mass-produced consumer product thriving on standardization. They know they were great: that their best cameraman could light like Rembrandt and did, that their designers recreated detail with unsurpassed fidelity, most of all that the degree of collaborative improvisation they enjoyed produced high art and certainly America's greatest screen comedy...

Author: By Kevin Brownlow, | Title: The Parade's Gone By... | 12/6/1968 | See Source »

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