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Word: rosee (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

That history is almost as old as the night. In the Odyssey, Odysseus visited the land of the dead, where he reported that "pale fear got hold of me" as the spirits rose up to drink blood. Every ethnic group has spun folktales of the ungrateful dead. Even so, horror did not become a literary convention until the late 18th century, when the gothic novel described the exotic terrors of old feudal keeps. In the gaslight era, the supernatural took hold of the public imagination, and British authors quickly dominated the field. Their very names suggest creaking Victorian stairways, forbidden...

Author: /time Magazine | Title: Books: King of Horror | 10/6/1986 | See Source »

...trivia. The talk ranges from bitchy quips ("I just flew in from Hollywood. I was there too long: four hours") and camp badinage ("An advantage of being homosexual is that I don't have to pay all that alimony") to a tearstained, self-blaming recollection of his sister Rose's lobotomy. Eerily, even at his most private and abandoned moments, this Williams surreptitiously watches what impact he is having on his audience. However much he may mistrust fame, he hungers for it; death is discussed chiefly in terms of how much space his obituary would merit in the New York...

Author: /time Magazine | Title: Theater: Eerie Dancing At the Abyss Confessions of a Nightingale | 10/6/1986 | See Source »

Umberto Eco's novel, The Name of the Rose, would hardly seem the stuff that a bestseller--or a box-office smash--is made of. Despite a hypnotic murder mystery and a steamy deflowering, down deep it's about a bunch of medieval monks. But this unlikely tale evolves into a fast-paced, captivating piece of cinema...

Author: By Elizabeth L. Wurtzel, | Title: A Haunting Rose | 10/3/1986 | See Source »

This relationship could be the most vital, sacred-to-secular crossover in The Name of the Rose. But, while both Connery and Slater are more than competent, Connery's William comes off as too wise, too crime-smart, too much the man who has the answers before you ask the questions. Too supernatural...

Author: By Elizabeth L. Wurtzel, | Title: A Haunting Rose | 10/3/1986 | See Source »

Stealing the show is Tonino Delli Colli's cinematography, which is hazy and remote throughout but becomes fast-paced and astute as the more sanguinary scenes call for it. Even fans of its literary parent will find Hollywood's Rose rendition to be a vision...

Author: By Elizabeth L. Wurtzel, | Title: A Haunting Rose | 10/3/1986 | See Source »

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