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...which produced its last master plan for Cambridge in 1958. A new proposal is due sometime this year; and current judgments on zoning changes are done on an ad hoc basis. In order to maneuver, City officials and committees fail into compromise agreement which rarely result in action. Michael Rosenberg of the Planning Board terms making a master plan "an attempt at a rational decision process in the midst of an irrational political system...

Author: By Katharine L. Day, | Title: The Cambridge Housing Shortage, or, Why Has My Rent Doubled In the Past Six Years? | 1/22/1971 | See Source »

...Jonathan M. Rosenberg of Eliot House and Pittsburgh, Pa.; Robert E. Shrock of Winthrop House and Lexington; Jonathan B. Stolzenberg of Dudley House and West Hartford, Conn.; David J. Taylor of Leverett House and New York; and William S. Zwicker of Lowell House and Island Park, New York...

Author: NO WRITER ATTRIBUTED | Title: Phi Beta Kappa Picks 24 Seniors | 12/2/1970 | See Source »

After the surprise verdict, De Simone's attorney, Allan R. Rosenberg said, "I thought there was reasonable doubt concerning both charges, but I didn't think the judge would question the word of a captain of the Cambridge Police...

Author: NO WRITER ATTRIBUTED | Title: De Simone Convicted On Disorderly Count, Acquitted on Assault | 11/14/1970 | See Source »

Having saddled themselves with Stuart Rosenberg's direction, the Newmans wander through a series of disconnected episodes. While rising to radio preeminence, Rheinhardt is plagued by the do-good blandishments of a social worker named Rainey (Anthony Perkins), who is taking a welfare survey in New Orleans' black slums. Rheinhardt underscores Rainey's presence by calling him a "cornpone Christ." Sure enough, Rainey falls to bloody martyrdom in a contemporary Pilate's court-a barbaric red, white and blue rally sponsored by WUSA. Geraldine's symbolic vulnerability propels her to suicide, while Rheinhardt...

Author: /time Magazine | Title: Cinema: Try Western Union | 11/2/1970 | See Source »

...have to be a fan clubber to love Elliott Gould, but it helps when, as in Move, his talent is swaddled in mediocrity. Laboring under Stuart Rosenberg's incomprehensible direction, Gould strives to leaven a sodden lump of a movie. His role is that contemporary stereotype, the creative Manhattanite who thinks himself into a granny knot. However fascinating Gould's mumblings and stumblings may be, they are scarcely enough to sustain 90 minutes of pointless celluloid...

Author: /time Magazine | Title: Cinema: Granny Knot | 8/24/1970 | See Source »

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