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Fireworks, bands and picnics are predictable. The Bicentennial has also aroused inventive imaginations. Some time ago, Chicago Attorney Marvin Rosenblum dreamed up "hands across America," a grand scheme to link the nation from coast to coast with a human chain to symbolize American unity. The plan would require at least 5 million people grasping hands, so Rosenblum has lowered his expectations. Now there will be only bits and pieces of the human chain-about ten miles' worth on Chicago's South Side, for example...

Author: /time Magazine | Title: The Nation: The Big 200th Bash | 7/5/1976 | See Source »

...this is now the natural "look" of most American realism. If the exhibition is littered with homefried parodies of an earlier sublimity, it is because many of the artists could find only a conventional way of producing an "official" heroic landscape. Despite Art Historian Robert Rosenblum's benevolent claim in the catalogue that "in most of these works, the mood is one of exhilarating adventure and head-clearing oxygenation," the paint surface tends to go dead at the timber line: the mountain pictures, like Lowell

Author: /time Magazine | Title: Art: Face of the Land | 7/5/1976 | See Source »

...finals of the doubles was all Princeton with the number one team of Louise Gengler and Mo Curran emerging victorious. The finals of the singles competition, though, was all Yale as the top-seeded Yalie Lisa Rosenblum defeated the second seed for the Elis, Sue Graham. To reach the finals. Graham had to beat the highly regarded number one for Princeton, Linda Rice...

Author: By James W. Reinig, | Title: Radcliffe Tennis Team Finishes Third | 5/6/1975 | See Source »

Captain Lissa Muscatine fell prey to Joe Curran, 6-4, 6-3, Curran, who has lost only two collegiate matches in the last four years, both to Lisa Rosenblum of Yale, pulled ahead 4-1 in the first set. The scrappy Muscatine evened it up with three straight, but lost the set in the last two games...

Author: By Kathleen T. Riley, | Title: Radcliffe Crushes Conn., 8-1, In First Home Tennis Match | 4/15/1975 | See Source »

...third possibility, though, is that Rosenblum's work is different from the tradition and prejudices of photography. We may possibly have to look at it with unbiased eyes in order to find out whether in fact he has accomplished the "synthesis of the 'documentary' and the 'aesthetic"' for which Paul Strand lauds him in his introduction to the show. This sort of respect for Rosenblum's work is what prompted Fogg photography curator Davis Pratt to hold the show. Yet regardless of whether Rosenblum's work will eventually seem to be innovation or aberration in the tradition of photography...

Author: By Bob Ely, | Title: Snapshots of Stone | 3/19/1975 | See Source »

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