Word: rosencrantzes
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...kick off their spring season the week following spring break. In addition to the musical Sunday in the Park with George, which will run from the final week of April until May 8th, the Mainstage will also house a fresh take on Tom Stoppard’s popular play, Rosencrantz and Guildenstern Are Dead for a two-week run from April...
REAL INSPECTOR HOUND/BLACK COMEDY. This doubleheader of serious comedies offers up Tom Stoppard (Rosencrantz and Guildenstern are Dead) and Peter Shaffer (Equus, Amadeus) at their funniest. The plays operate within the conceits of the dramatic and artistic spheres, respectively, in order to highlight the contrasts between illusion and reality, the unseen and the visible. Both plays tinker with theatrical conventions to create an evening of non-stop hysterics. Through Saturday, April 12 at 8 p.m. Tickets $8, $5 for students and seniors, $4 for Adams House residents, available at the Harvard Box Office, (617) 496-2222. Adams House Pool Theatre...
...purportedly delivering television commentary on the Open for Italy's Tele+ cable network. This, however, was typically digressive banter from Clerici, 72, and Tommasi, 68. An announcing tandem for more than 20 years, they fill their broadcasts with more random ruminations, mutual dissing and off-color commentary than Rosencrantz and Guildenstern. "Even people who don't like tennis will watch them to hear what outrageous things they're saying and doing," says Rita Grande, an Italian currently ranked 36 on the wta Tour. "They are so funny?at least if you have a sense of humor...
...resolution (Hillary). And then you have the "fifth business"; in the Clinton scandal, it would be the secretary who unwittingly gave Monica Lewinsky that first file to deliver to a horny Bill. Look back at a past incident in your life. Or your favorite book on the shelf (Rosencrantz and Guildenstern are the ultimate "fifth business"). It's trendy lingo for your table talk...
...desire to hunt for Stoppard's touch is understandable. The playwright, who was born in Czechoslovakia in 1937 and educated in India and England, catapulted to fame with a different Shakespearean work: the 1967 play Rosencrantz and Guildenstern Are Dead, an existential reimagining of two characters from Hamlet. Since then his work has been known for its wordplay and highbrow subject matter--such as chaos theory in Arcadia, or the life of poet A.E. Housman in The Invention of Love, now running in London. Many of his plays have been criticized for their emotional inaccessibility, but, says Stoppard...