Word: rosenfarb
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Dates: during 1956-1956
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...should be regal, but that need not restrict the actor who portrays him to the single tone level and rate of delivery. Somewhat the same is true of Robert Jordan, in the part of Laertes. He tends to speak too fast to let his lines be readily understood. Lisa Rosenfarb, the Queen, happily avoids these mistakes. She speaks poetry perhaps better than anybody else in the cast. But in the other aspects of performance, John Fenn, as Horatio, surpasses her as well as most of the other actors. He gives Horatio just the right amount of soldier's dignity...
Just as impressive, in her own way, is the Jocasta of Lisa Rosenfarb. She projects the dignity of the queen of Thebes, and at the same time retains the tenderness of a loving wife. And to watch the horror of realization steal into her eyes as she recognizes that Oedipus is her own son is to witness a consumate piece of acting. A similar attention to the details of a performance can be found in Philip McCopy's portrayal of Tiresias, the blind prophet. In his single but long scene, the man personifies all the calm certaintly of truth...
Others chosen for major parts were Lisa Rosenfarb '57 as Gertrude, John Fenn '57 as Horatio, Robert Jordan '59 as Laertes, Richard Smities '57 as Polonius, and Edith Iselin '59 as Ophelia. Stephen Aaron '57 will direct the entire production...
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