Word: rosenquists
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...intuitively have the sense that we as individuals are connected in ways that oftentimes we may not even understand,” said James N. Rosenquist, a health care policy research fellow at the Medical School and lead author of the study. “An individual’s behavior may affect others and vice versa...
Richard Phillip’s “Untitled (Smiley)” (2000) evokes billboard and pop art. This adolescent ingenue looks down on the viewer with an insouciant sneer that recalls a mix between a 1960s beach babe pin-up and a Rosenquist parody of American pop culture. The blaring yellow happy face placed like an enormous sticker over her nipple confronts the viewer with its insistent smile...
...canvas plane once guarded against outside referentiality has been invaded by metaphor, narrative, and gleeful appropriation of historical styles,” Kertess writes in the show’s description. And so Kertess uses the paintings of Carroll Dunham, Sue Williams, Laura Owens and James Rosenquist, the photographs of Aaron Siskin, Wolfgang Tillmans and Adam Fuss, to demonstrate this point. In each piece of the show the influence of daily life and the outside world is visible, sometimes by means of a decontextualized reference to an everyday object and other times through shapes with figurative overtones...
...JAMES ROSENQUIST, artist...
Since Picasso's Guernica, few artists had attempted historical commentary. Robert Rauschenberg did in his silkscreen paintings of the early '60s, and so did James Rosenquist with big quasi-dioramas like The F-111, his reflection on the Vietnam War. Kitaj differs from both, for he wanted to paint his images all the way through, not transfer them out of mass media. It's odd that in the midst of all the talk about "appropriation" that went on through the '80s and into the '90s, Kitaj's name so seldom came up in New York: for this is a painter...