Word: rosselini
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Following New York Times procedure, the following selection includes only those film's released commercially in the Unites States during 1967. This excludes films shown only at the New York Film festival, notably Rosselini's La Prise de Pouvoir de Louis XIV, and films made in 1967 but not yet shown here (Bunuels' Belle de Jour, Godard's La Chinoise). To make things simpler, I eliminate European films made over two years ago but released in New York during 1967. Andrew Sarris has included Bunuels' Exterminating Angel and Renoir's Boudou saved From Drowning on his list; I would also...
Privilege, by Peter Watkins explores the relationship between the fiction film and the documentary, the written script read and performed as cinema verite. In a style most closely resembling a travelogue, Chris Marker's masterpiece Le Mystere Koumiko reveals Japan's national character by following a young girl. Rosselini describes his newest film La Prise de Pouvoir de Louis XIV as an educational film, and indeed, its greatness emerges from the simplistic straight-forwardness of films about artists and poets shown in high school auditoriums. Most recently, Conrad Rooks' extraordinary Chappaqua is, from start to finish, a home movie...
...they will remain together; in La Notte, Giovanni and Lidia decide not to separate although they know their marriage will never be successful; Red Desert ends with Giuliana's realization that she must not commit suicide even if her life is filled with neurotic unhappiness. Unlike the films of Rosselini, Hitchcock, and Renoir, which follow characters in a state of emotional or spiritual crisis through a therapeutic chain of events, Antonioni's films are rarely concerned with major personal development or change. Instead, Antonioni fully reveals the nature of his character's dilemma, and then brings that character...
Beyond Taxation. Last week, watching the formal presentation of the city charter by Governor Albert Rosselini, Richlanders recognized that there was many a problem ahead. G.E. paid its city employees wages 30% to 40% higher than scales in neighboring communities; Richland must meet the rate or possibly lose them. Although the city is bond-free and takes title to debt-free city hall, sewage plant and waterworks, its tax yield at the start will be too small to meet expenses. The Hanford atomic plant is beyond city limits and untaxable; property, liquor and gasoline taxes will be $250,000 less...
...Memphis' famed 88-year-old Movie Censor Lloyd T. Binford announced that his 27-year reign will end when his term expires on Jan. 1. Binford banned Ingrid Bergman films after she married Roberto Rosselini, all Chaplin movies, any picture he thought had too much sex in it, almost any film portraying Negroes in other than servile roles, any movie depicting a railroad robber (he was once on a train that was robbed). "The way it looks, there may not be any censor boards soon," he said morosely. "We try to do what the public demands, and the public...