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PRESIDENT Johnson 553,732 Goldwater 358,985 U.S. SENATOR Jackson (D) 598,182 Andrews (R) 225,176 GOVERNOR Rossellini (D) 611,672 Evans...

Author: NO WRITER ATTRIBUTED | Title: State-by-State Results: President, Senator, Governor | 11/4/1964 | See Source »

...actress as they were to me. Elizabeth Taylor can get away with murder, but my pictures were taken off the market." Still, times have changed, admits Ingrid Bergman, 48, in the current Redbook, and so has she. The celebrated storm around her "love child" by Director Roberto Rossellini has died down, and the boy, Robertino, has grown into a strikingly handsome 13-year-old. In Rome to film The Lady's Vengeance, she spent a lot of time with him and her eleven-year-old twin daughters, Isabella and Ingrid. As a result of a long and angry custody...

Author: /time Magazine | Title: People: Jan. 24, 1964 | 1/24/1964 | See Source »

Andrzej Wajda's Polish section is a bit wooden and contrived, and the stark background of Warsaw is no setting for a young romance. The Italian sequence, by Renzo Rossellini, is predictably decadent, involving the passion of a kept man for a new, younger mistress...

Author: By Joseph M. Russin, | Title: 'Love at Twenty': Five Viewpoints | 7/19/1963 | See Source »

There are five episodes in Love. The one from Italy is directed by Renzo (son of Roberto) Rossellini, the one from Germany by Marcel (son of Max) Ophuls, the one from Japan by Novelist Shintaro ("The Japanese Franç01s Sagan") Ishihara, the one from Poland by Andrzej (Ashes and Diamonds) Wajda. Wajda's work is keen and sardonic, but the episode from France, directed by François (Jules and Jim) Truffaut, makes the other three look sick sick sick. It is cruel, touching, funny. It is true to life at an age when life is true...

Author: /time Magazine | Title: Cinema: Amorous Anthology | 3/8/1963 | See Source »

...Americans," the magazine feels obligated to turn an ordinary review of a foreign film into an article grandly entitled "The human condition and the film of Europe and America." Actually, Alan Casty's outline of General Della Rovere is an accurate synopsis of the plot and theme of Rossellini's movie. But Casty slights the director's real masterpieces, Paisan and Open City, adding: "it has only been with. . .General Della Rovere that he has produced a film of real stature, a film whose symbols of all our world are not overt and strained." In his unflagging admiration, the reviewer...

Author: By Frederick H. Gardner, | Title: New University Thought | 11/24/1961 | See Source »

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