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Flowers of St. Francis (Angelo-Rizzoli; Joseph Burstyn) weaves some episodes from the life of Francis of Assisi into a rich cinematic garland. As adapted from the 14th century Fioretti di Francesco d'Assisi by Director & Co-Author Roberto Rossellini, the film is no solemn picture of a dead and embalmed saint, but a warmly human portrait of a humble man who rejected the world for a life of poverty and piety...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 6, 1952 | 10/6/1952 | See Source »

Except for Aldo Fabrizi, who gives a striking performance as the fiercely mustachioed tyrant, the cast consists entirely of amateurs. Francis and his fellow friars are played by Franciscan monks of the Nocere Inferiore Monastery, who take naturally to Rossellini's direction. Bounding barefoot through the fields in their tattered tunics, they bring a gentle artlessness and a shining simplicity to their roles...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 6, 1952 | 10/6/1952 | See Source »

...Soana near Rome, the picture's cold, grey, documentary photography powerfully evokes a world of medieval desolation. At the same time, the picture glows with a warm lyricism. In its blend of tenderness and turbulence, Flowers of St. Francis is a film poem that deserves to rank with Rossellini's own Open City and Paisan...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 6, 1952 | 10/6/1952 | See Source »

...beach at Rapallo, Italy, photographers caught a merry picture of Renato Roberto Rossellini, 2, getting a piggyback ride from his famous mother, Ingrid Bergman, treating herself to a holiday after giving birth to twin daughters two months...

Author: /time Magazine | Title: People, Sep. 1, 1952 | 9/1/1952 | See Source »

After New York State's Board of Regents banned Roberto Rossellini's controversial The Miracle as "sacrilegious," the U.S. Supreme Court upset the ban. It ruled that 1) the cinema is entitled to the rights of free speech and free press, and 2) those rights may not be abridged on grounds, e.g., sacrilege, that no U.S. official is qualified to define, because no U.S. official can officially define what is sacred. Last week two other censors banned The Miracle on other grounds. Ohio took exception to the film for purely moral reasons. Citing the seduction of the idiot...

Author: /time Magazine | Title: Cinema: Second Round | 8/4/1952 | See Source »

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