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...Ross G. Douthat ’02 is a history and literature concentrator in Quincy House. He will write on politics and culture in the new, post-September Massacre world, and hopes that his words will continue to infuriate, fascinate, perplex and annoy. His column will appear whenever SES and JRL decide it will...
Whatever is built may be seen as a de facto memorial. Says Carol Ross Barney, who designed the new federal building in Oklahoma City to replace the one destroyed in the 1995 bombing: "I don't know if you can build anything that's not a symbol. Every building tells you what people were thinking when they built it." But Oklahoma City erected a separate memorial nearby, and aside from its symbolic presence, says Barney, "there's nothing about the building that specifically commemorates the bombing...
...writing in response to “The Moment of Truth,” by Ross G. Douthat ’02 (Op-Ed, Sept. 19). Mr. Douthat’s fervent patrioism and disdain for those who appear to be blase and indifferent to the tragedy is very understandable at this time and, to an extent, admirable. However, I disagree with his claim that anyone who fails to feel a “burning desire to visit a terrible justice on those responsible” is an unjust person...
...Ross G. Douthat ’02 is a history and literature concentrator in Quincy House...
...women's all-Williams final on Saturday night seemed a lot less like a gladiator fight than a carnival. Before the match, two women on stilts with tennis-ball headware watched couples dance to blaring Elvis Presley right outside the main stadium. The Harlem Gospel Choir performed before Diana Ross sang God Bless America. Vanessa Williams, Rick Fox, Brandi and Spike Lee poured into the seats. There were certainly more black people in this tennis stadium than the last time sisters met for a majors final--in 1884, in pasty-white Victorian Wimbledon. It was appropriate that Arthur Ashe Stadium...