Word: rossini
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...debut in Manhattan's Town Hall, Armenian-born Mezzo-Soprano Doloukhanova, 39, strode onstage aglitter with diamonds, and swathed in pink silk wrappings. Her program included Russian songs (Tchaikovsky, Rachmaninoff), Armenian folk songs, Schubert and Strauss lieder, operatic arias from Rossini and Mozart, even one English air-Cyril Scott's Lullaby. Noted for a repertory of 500 works by 100 composers, in five different languages, she displayed a solidly centered, richly colored voice of moderate power, smooth as cream in the lower register, clear and unforced in the upper one. She was able to pay out a prodigious...
Ludvig's Holberg's The Healing Spring is under the tutelage of Mr. Hancock again. He has laid unholy hands on it, which was a good idea, since it has one of those comic opera plots which are usually best left to Mozart or Rossini or the Comedie Francaise or oblivion. Mr. Hancock has moved it--by the scruff of the neck--to southern California, and changed the characters to modern types. None of these types is original. Most of them, oddly enough, are very funny. The hero is portrayed as the sort of healthy youth who hung around with...
...drew only one personal foul, though he played all but the final 45 seconds. If he had not been suffering from an injured back, Robertson might have eclipsed his own Madison Square Garden scoring record of 56 points, made last year against Seton Hall. Said N.Y.U. Coach Lou Rossini ruefully: "He's as great a basketball player as I've ever seen. I guess the only way to stop him would be to put four men on him and let one guy cover the other four...
...Rossini was at the height of his powers when he wrote Ory. Frankly, I am not an ardent admirer of Rossini; and this work shows many of his weaknesses, such as poverty-stricken harmony and overly square phraseology. The libretto is scarcely more than adequate--Rossini himself used to say he needed nothing better than a laundry list...
Still, in the last "official" census among scholars for the most eminent composers of all time, Rossini tied with Benjamin Britten for 59th place; and that isn't doing badly at all. Certainly, one must grant that Rossini had a great talent for melody and for using the human voice superbly (he was a fine professional singer himself). He also knew how to score well for orchestra; no other work of Rossini is orchestrated with such elegance and nuance as Ory. And the bedroom trio in Act II is inspired writing of the first order; Berlioz was quite right...