Word: rosso
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...city's serpentine streets and undulating hillside avenues. But some roads should be sought out, notably Via Garibaldi, a majestic stretch of cobblestone flanked by 16th century villas just above the old port. One palace, Palazzo Tursi, has been the site of City Hall since 1848; others (Palazzo Rosso and Palazzo Bianco) have been turned into museums. When this city of 700,000 was picked?along with Lille, France?to be European Capital of Culture for 2004, the Italian government poured in $40 million for more than 100 special events from jazz concerts to history classes. And Via Garibaldi, which...
...serpentine streets and undulating hillside avenues. But some roads should be sought out, notably Via Garibaldi, a majestic stretch of cobblestone flanked by 16th century villas just above the old port. One of those palaces, Palazzo Tursi, has been the site of City Hall since 1848; others (Palazzo Rosso and Palazzo Bianco) have been turned into museums. When this city of 700,000 was picked - along with Lille, France - to be European Capital of Culture for 2004, the Italian government poured in $40 million for more than 100 special events from jazz concerts to history classes. And Via Garibaldi, which...
...death, but the person each of the presumed guilty men loves most, so that they will live out their lives in grief, as he has. (In 1972 Italian director Umberto Lenzi filmed the novel - without this poetic twist, or much else in its favor - as ?Sette orchidee macchiate di rosso? / ?Seven Blood-Stained Roses...
...MEDARDO ROSSO: SECOND IMPRESSIONS. This exhibit of Medardo Rosso’s sculptures is the first at a U.S. museum in 40 years. Medardo Rosso, an “impressionist sculptor,” saved and exhibited his wax casts rather than transforming them into bronzes. Focusing on five Rosso works, the exhibit attempts to determine what he was after when he sculpted 50 different variations of heads and busts. These range from the early “Aetas aurea” (The Golden Age, 1886-87), to the full-figure “Bookmaker?...
...visual link between the two levels as well as a bold, easily identifiable symbol of the union of old and new that defines the museum. The museum's shop, a chic, spacious room with black stained cherrywood furniture, gray leather seating and a two-color marble (travertine and rosso levanto) floor, was designed by Briton Callum Lumsden, while its elegant café-restaurant - with a terrace overlooking the leafy Burggarten - was the work of Austrian Arkan Zeytinoglu. Although Schröder says he is most moved by the combination of richness and simplicity of the staterooms, he adds that Duke...