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Nauman, beyond much dispute, is the most influential American artist of his generation. Born in 1941, he is of the same artistic age as Eva Hesse, Richard Serra and Susan Rothenberg (whom he married in 1989), but the artists whose work he most counts for are younger; it is safe to say that hardly a corner of the mix of idioms at the end of the 1980s, from video to body pieces to process art to language games of various sorts, escaped Nauman's influence...

Author: /time Magazine | Title: BEING A NUISANCE | 4/24/1995 | See Source »

...Tennessee Governor Lamar Alexander, among others, to fight for Quayle's unexpected leftovers, which include a sizable group of conservative Christians that turns out heavily in Republican primaries. ``If it helps anyone, it helps Gramm, because he's the most ideological in the field,'' says G.O.P. political analyst Stuart Rothenberg...

Author: /time Magazine | Title: OVER BEFORE IT STARTED | 2/20/1995 | See Source »

...majority in Burnt Whole. Andrea Fisher, working is glass, plastic and photographic images, produces one of the most delicately beautiful pieces in the show, "I told him that my mother's misfortune took up the space of dreams"-- Marguerite Duras II, (1195). More humorous is Ellen Rothenberg's pile of pink erasers, each printed with the word "GUILT," in Gothic lettering. Art Spiegelman, famous as the Pulitzer-Prize winning author of Maus, a cartoon retelling of the Holocaust, contributes sketches and studies...

Author: By Natasha Wimmer, | Title: ICA Holocaust Show Leaves Viewer Cold | 2/9/1995 | See Source »

...need to be a Guerrilla Girl to object to this. By what contorted standards of taste could Jonathan Borofsky's flatulent bits of pictorial free association, or Keith Haring's cute squiggle salads, be thought more original, let alone more beautiful, than the best work of, say, Susan Rothenberg, Nancy Graves, Elizabeth Murray or Vija Celmins? Where are those formidable senior talents, the two Louises, Bourgeois and Nevelson, without whom no account of the post-Surrealist vein in America can be adequate? And what about -- but enough, enough already. One can see why there's a big self-portrait...

Author: /time Magazine | Title: Art: The View From Piccadilly | 10/4/1993 | See Source »

...picks a fight with flush CBS over comic ideas that were hackneyed when Letterman started using them; call it banalimony. That surely describes the high-level mud wrestling over De Forest's Melman. "If you have an actor who's a bumbler," asks Manhattan attorney Stanley Rothenberg, "do you prevent him from earning his living after this series is over? Do you say he can't go and bumble elsewhere...

Author: /time Magazine | Title: Stupid Talk-Show Tricks | 8/2/1993 | See Source »

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