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...Manhattan's Town Hall a few blocks from the Lombardos (see above), an older and more fabled musician was celebrating too. For 74-year-old Léon Rothier, whose bass had boomed through three decades at the Metropolitan Opera, it was just 50 years since his debut at Paris' Comedie Française...

Author: /time Magazine | Title: Music: Still Very Good | 10/10/1949 | See Source »

With 1,687 performances in 75 different roles at the Met to think back on (his most famed role: Mephistopheles in Faust), zestful, white-haired Basso Rothier had no fears about his anniversary recital. He was somewhat excited: "All my friends will be there to hear me and I will feel so at home there. My voice is still very good, you know, but it can't compare with the golden voice I once...

Author: /time Magazine | Title: Music: Still Very Good | 10/10/1949 | See Source »

...concerts in 1932 and Patron Eckstein died in 1935 before they were resumed. When his widow agreed to let Ravinia be used for summer music again, 25 businessmen raised $30,000 and reopened Ravinia last summer (TIME, July 13). Back to Chicago last week went Lucrezia Bori, Leon Rothier and Mario Chamlee (Archer Ragland Cholmondeley) who had helped make Ravinia opera nationally known. Day of the opening, Chamlee developed laryngitis, had to be replaced by Tenor Armand Tokatyan who in turn had to be replaced by Rolf Gerard at the Cincinnati Zoo where he was scheduled to appear. In honor...

Author: /time Magazine | Title: Music: Summer Bands (Cont'd) | 7/12/1937 | See Source »

...ushered in a six-week run of opera at the Cincinnati Zoo. Busy Fausto Cleva was again conducting. Manager Oscar Hild had got hold of such Metropolitan singers as Bruna Castagna, Carlo Morelli, Leon Rothier, Norman Cordon, John Gurney. Friday operas were to be broadcast over the NBC Blue network...

Author: /time Magazine | Title: Music: Summer Bands | 7/5/1937 | See Source »

...Metropolitan's headline singers are gone for the summer, last week's young contingent successfully presented such operas as Faust, Il Trovatore and La Bohème. In Faust pretty Hilda Burke made a pathetic, simple Marguerite, used her small voice conscientiously but not tragically. Leon Rothier, a veteran Mephistopheles, had most assurance and most art. Good-looking Donald Dickson made his Metropolitan debut as Valentine. Even nervousness could not rob him of the strong, clear baritone and fine dramatic sense that first made scouts notice him when he was a Pennsylvania steelworker...

Author: /time Magazine | Title: Music: Second Spring | 5/17/1937 | See Source »

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