Word: rouault
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Dates: during 1930-1939
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...title of the sombrest painter now alive, which is a considerable distinction, belongs by general consent to Georges Rouault. Born shortly after a shell knocked his mother out of bed during the Paris insurrection of 1871, Rouault was first apprenticed to a maker of stained glass, later became the favorite pupil of the academic painter, Gustave Moreau. Since Moreau's death in 1897, pale, clerkish Georges Rouault has lived a mystic, melancholy life. Every day he goes to the little Moreau museum, of which he is curator, near the Gare St. Lazare, often lunches violently with his old friend...
Gershwin became fascinated with painting in the late 1920s. He began by buying pictures that appealed to him, works by Picasso, Rouault, Derain, Utrillo and by his friends Max Weber and Maurice Sterne. By 1933 his collection was big enough to rate an exhibition at the Chicago Arts Club. Gershwin himself started painting in 1929 and came along fast with a few tips and encouragement from his artist cousin, Henry A. Botkin. He liked to paint so much that in the year or two before his death he actually preferred it to composition at the piano, even thought of giving...
Mistress of a popular Paris salon, Mme Cuttoli found it easy to reach her painters, hard to convince them that their fluid daubings could be fittingly reproduced in silk and wool. Her first convert, five years ago, was Georges Rouault, onetime apprentice in a stained-glass factory. But the painters were simple to manage compared to the weavers. Those sensible artisans, with six centuries of conventional design and solid, forthright colors behind them, threw up their hands in horror at Rouault's grotesque figures and great splashings of brick red and blatant blue. "Mais non!" cried they. "We will...
...seeing in fine-textured silk and wool original examples of what France's onetime Premier Edouard Herriot called in his catalog introduction "the whimsical fantasy of a Dufy, the 'color researches' of a Matisse, the free inspiration of a Picasso, the often satirical gravity of a Rouault," ecstatic esthetes gurgled learnedly of high warp, low warp, ribs and slips, joined plain gallery-goers in gasps of sincere tribute to the vivid colorings, the exquisite craftsmanship which had reproduced even the blurred edges of pastel strokes in faithful detail. Uninitiates might eye Pablo Picasso's Inspiration...
...Joseph Bonnat. In 1905, he saw for the first time Henri Matisse's canvas Luxe, calme et volupté. "Confronted by that picture," he said, "I understood all the new reasons for painting." He immediately joined the famed Matisse group (Derain, Braque, Rouault, Vlaminck, Friesz), became one of Matisse's most brilliant disciples. Now he lives in a Montmartre apartment painted the same blue he often uses in his skies. Quiet, looking more like a businessman than a painter, he works strenuously, carries a sketch book everywhere, rarely frequents the cafes or studios of fellow artists...