Word: rouault
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Dates: during 1930-1939
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...landscape her aunt had painted before Impressionism existed. As an art teacher until she was 40, when she married Manhattan Lawyer Cornelius J. Sullivan, Mary Quinn kept buying the work of unknown artists. Once she stranded herself in Paris by spending every sou she had with her on a Rouault and a Segonzac. She never had resources like those of her good friends Abby Rockefeller and the late Lizzie P. Bliss, with whom she helped found the Museum of Modern Art in 1929. But Mary Quinn Sullivan's pioneering judgment brought her a notable collection for a notably small...
Other big prices: $2.500 for Rouault's The Clown; $1,600 for Modigliani's Lunia Czechowska; $3,500 for a Derain still life; $3,000 for a Redon flower piece. Collector Chrysler also bought small Picasso and Cézanne water colors for $1,350 and $1,625 respectively...
...variety are such pictures as Benton's quiet, lonesome Conversation; Doris Lee's whimsical, clever Holiday (see cut); Joe Hirsch's Two Men (see cut) which, using a very broad, low canvas, catches breadthwise the gaunt intensity of two workers; Jack Levine's Rouault-like Night Scene, where the ruddy heads and hands of the two figures emerge from a blue-black murk like blazing coals...
...Square. Eight Picassos of different periods (he has had eight so far: Realist, Toulouse-Lautrec, Blue, Rose, African, Cubistic, Neo-Classical and Surrealistic) were surrounded by canvases by Bauchant, Bonnard, Braque, Dali, Derain, Dufresne, Dufy, La Fresnaye, Leger, Lurçat, Matisse, Miro, Modigliani, Pascin, Redon, Rousseau, Rouault, Segonzac, Soutine, Utrillo, Vuillard...
This week this "monk of modern art'' was shown in a new aspect to the U. S. public when Manhattan's Museum of Modern Art exhibited 150 lithographs, etchings and wood engravings produced by Rouault in the past 20 years. Many had not been shown anywhere before. Most were done at the instance of Vollard for that publisher's fiercely faithful and interminably delayed de luxe editions. Several magnificent portraits were included: of Moreau, Verlaine, Baudelaire. In the color etchings art followers found new, bright colors, strange to Rouault, as if medieval gaiety were entering...