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Word: rouault (lookup in dictionary) (lookup stats)
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...rooms are filled with drawings and prints among which are sixteenth century drawings, a woodcut of Durer, etchings by Jacques Callot, and lithographs by Goya and Daumier. The collection also includes the famous Mlle. Eglantine color lithograph by Toulouse-Lautrec, works by Renoir and Rouault, and some by Americans such as Ben Shahn...

Author: By Paul W. Schwartz, | Title: Two Exhibits | 12/11/1957 | See Source »

...Erich Heckel. Karl Schmidt-Rottluff's Fauve period Harbor Scene is a product of the movement dominated by Matisse and is a canvas far superior to Schmidt-Rottluff's two later, extremely ungainly, still-lifes. And Jawlensky's Head of a Woman pays tacit tribute both to Matisse and Rouault...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst | 12/5/1957 | See Source »

Here, formidably arrayed, is an art characterized, as Director Perry Rathbone has said, by its "strongly individualistic flavor." Yet, for most of these masters, their deepest bond lies in a conviction that, as Rouault put it, "anyone can revolt," and in a search for unequivocal vision whatever the individualistic idiom or temperament might be--the very quest for universality which led Picasso to stoutly affirm, "There is no abstract...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

Klee is there, of course, as sensitive and witty as ever, and Juan Gris, as richly controlled as always. Chagall is represented at his most fanciful and most substantial, Braque displays his talent for being perennially so very right, and Rouault, as usual, exhibits as much profundity in a landscape as in a crucifixion. It is good to see less exhibited figures such as Villon and Masson included, though Miro, Leger, Mondrian and the sculptor Lipschitz receive perhaps less than their...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

...Gospels, in his Christ Among the Children (see color page) created a new and powerful religious art that not only turns its back on the wrung-out humanism of the Renaissance but achieves in its glowing children and astonished disciples a thick religious fervor the equal of Rouault...

Author: /time Magazine | Title: Art: OUT OF THE RUINS | 10/7/1957 | See Source »

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