Word: rouaults
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Dates: during 1940-1949
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Could Paris produce a new generation of painters comparable to its aging masters? Matisse, Bonnard and Rouault were all crowding 80, Picasso and Braque were close to 70. Utrillo, Vlaminck and Derain were old too, and out of the swim as well. Surrealism was all but dead. As of last week, only one "group" of painters in Paris had any recognizable form. They were "the twelve."* Nine of the twelve have already had shows this season...
Paris museumgoers noted with complacent smiles that most of the exhibition's far-flung artists painted with a Paris accent. Parisians preferred the genuine article, in an upstairs room full of Picasso, Matisse, Bonnard and Rouault...
...answer was at the heart of the Latin Quarter's latest cause celebre, the case of Georges Rouault, artist, v. the heirs of Ambroise Vollard, dealer. The case history went back to about 1914, when Rouault was an out-at-elbows modernist and Vollard was an up-&-coming dealer, one of the few who bought modern paintings. He gave Rouault a studio in his own house and advanced him 50,000 francs (then $10,000)-thereby obtaining all his work in progress and a lien on future paintings...
When Vollard died in a 1939 auto crash, he had 807 unfinished Rouault canvases. Value at present prices, according to Rouault: about $1 million. (Recently an 8 in. by 12 in. Rouault sold in Paris for $3,000.) Aging (75) Painter Rouault went to court to get them back, claimed them as his "intellectual property...
Last week a French court upheld him. The court ruled: the artist is the sole owner of all his work as long as it is unsigned, and he has the right to change or even destroy it. The Vollard heirs were ordered to return the 807 Rouaults to him in a month, or pay him 100,000 francs (now $840) apiece. The court ordered Rouault to pay the heirs a sum yet to be determined to wipe off Vollard's bill. Rouault expects to "finish up" only about 30 of the paintings. Among other things, Rouault has gone increasingly...