Word: rouaults
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...Still sticking to their beloved Paris, Hitler or no, were six of the most famed figures in contemporary art: Pablo Picasso, Georges Braque, André Derain, Georges Rouault, Maurice de Vlaminck, Marcel Duchamp. To them the German army of occupation had extended special privileges, including an extra ration of coal...
...Corot-like landscapes, was also a magistrate and enough of an Anglophile to name his son Arturo, after King Arthur of the Round Table. Taught painting by his father, at 21 he went to Paris, where he studied, haunted the galleries, became a fervent admirer of Delacroix and Rouault. He decided that the modernistic Ecole de Paris was not for him. Said he: "A painting, for me, must be based on human emotion. It is a deep experience. In the School of Paris there is much talent, but the work is of the mind purely. Picasso is a gifted encyclopedia...
...Weber, 60, a roundheaded, bird-like little man, is the dean of U. S. modernists. Last week he held a one-man show in Manhattan. Powerfully drawn, with Cezanne-like colors and a heavily outlined, stained-glass effect recalling the work of Frenchman Georges Rouault (TIME, Nov. 25, 1940), his 58 paintings revealed sweating workmen struggling with structural steel, bearded rabbis wailing in bare-floored synagogues, blimpy Picasso-like nudes...
Mild-looking, baldish Georges Rouault, who was born in a bomb shelter during the Paris Commune, is now 69, is presumably living and working in occupied France, perhaps in Paris, where he holds a sinecure as director of a museum full of fairy-tale paintings by his teacher, Academician Gustave Moreau. Today a good Rouault costs about $3,500. For the Institute's Rouault show, Director Plaut was unable to import any paintings from Europe, or even to borrow one from the late exhibition at the New York World's Fair. He collected his show from...
...Institute's Rouaults, ranging back to 1891, showed the pious painter's long preoccupation with circus clowns, tortured Christs, brutal judges, violent nudes, all painted in slashes of black, and brilliant, jewel-like reds, blues, greens which recalled Rouault's early apprenticeship to a stained-glass worker. Boston's plushiest Brahmins viewed the paintings with no murmur of disapprobation, even for a wrenched, very nude Red-Haired Woman, which was one of the high points of the show. Boston's Sanity in Art Society kept mum. Thus had James Sachs Plaut put critics to rout...