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Word: rouaults (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Paris school of painting boasts five aged masters who probably have less in common than the members of any other "school" in art history. They are protean Pablo Picasso, bubbly Henri Matisse, smoldering Georges Rouault, sherbet-cool Georges Braque-and the least famous of the lot, Fernand Léger. The U.S. is getting to know Léger better this year, through a retrospective exhibition of his work arranged by Chicago's Art Institute. Last week, after a six-week stay in Chicago, the 125-item show opened at the San Francisco Museum of Art. Manhattan...

Author: /time Magazine | Title: Art: Machine-Age Primitive | 6/22/1953 | See Source »

...stone in a wall. A mound of squarish slabs represents a bouquet; rectangular slabs in horizontal layers stand for a seacoast. De Staël's colors are sumptuous, often set off by solid chunks of coal black which supercharge the canvas in much the same way as Rouault's heavy black outlines...

Author: /time Magazine | Title: Art: Say It with Slabs | 3/30/1953 | See Source »

...technique, Levine is an expressionist. He twists figures and features with an El Greco-like abandon, and trowels on hot & cold colors almost as lavishly as Rouault. But Levine dislikes the term: "Expressionism," he says solemnly, "puts too high a premium on subjective reactions...

Author: /time Magazine | Title: Art: CRISIS & DILEMMA | 9/8/1952 | See Source »

France's generation of giants is becoming ancient. Fernand Leger is 71, Picasso past 70; Raoul Dufy is 75, Rouault 81, Matisse 82. Two months ago, another of the giants, white-haired Georges Braque, quietly passed his 70th birthday and calmly went about putting the last touches on his first exhibit in two years. Last week Paris got a chance to see Braque's new show and came away declaring that time had not yet dimmed the old master's artistry...

Author: /time Magazine | Title: Art: The Magic Ray | 7/14/1952 | See Source »

...Rouault was apprenticed to a stained-glass maker, and his prints, like his paintings, look rather like sketches for stained glass. Joyless though most of them are, they have a little of the power and glory of the first and greatest Gothic cathedral windows...

Author: /time Magazine | Title: Art: Modern with a Message | 12/10/1951 | See Source »

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