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...Block collection is far too rich for only one visit. In addition to the works described, there are sensitive flower paintings by Piet Mondriaan, known for his geometrical constructions, drawings by Matisse, and a powerful portraval of Christ and the Apostles by Rouault. In short, if the collection consisted of only a small fraction of the work now on exhibit, it would still well merit a visit...

Author: By Bart D. Schwartz, | Title: The Block Collection | 2/16/1968 | See Source »

Chandler favors loud colors, even garish ones, and sometimes employs intentionally rough and unsubtle comic-strip techniques. His broad-stroke work often recalls Rouault. He himself especially admires and acknowledges the influence of Picasso, Rivera, Braque, Beckmann, Buffet, and the Negro muralist Charles White...

Author: By Caldwell Titcomb, | Title: Black Power in Art | 12/15/1967 | See Source »

...much money as Father Henry, he spent it with more style. This was a man who handed out gold cigarette boxes as if they were match books, ordered his suits 16 at a time. The salon of the Creole was furnished with Van Goghs, Renoirs, a Gaugin and a Rouault...

Author: /time Magazine | Title: Society: An International Marriage | 12/24/1965 | See Source »

...occasional cloud, it is the thought of how swiftly time has flown since he first arrived, a bedazzled Russian Jew, to greet Paris a full half-century ago. Of the pre-World War I luminaries that were then his contemporaries-the Frenchmen Braque, Matisse, Léger, Rouault, Delaunay, Villon, the Spaniard Juan Gris, the Rumanian Sculptor Brancusi, the Italian Modigliani, the Russians Kandinsky and Soutine-only Picasso, now 83, remains of those who gave the School of Paris its start. Of the two principal survivors, Picasso is the most protean and cerebral, Chagall the most constant champion...

Author: /time Magazine | Title: Painting: Midsummer Night's Dreamer | 7/30/1965 | See Source »

...Sure-te kept all anti-Gaullists in Latin America under close scrutiny. The French cruiser Colbert, on which le grand voyage ur would reside during six of his 25 days abroad, had been refitted with special communications equipment, furniture from the French National Museums, and paintings by Rouault and Utrillo. In Buenos Aires a French-born cabinetmaker put the finishing touches on a 7-ft. 2-in. bed, while in Rio de Janeiro carpenters readied a pair of chairs that would hopefully diminish the undiplomatic disparity in height between Brazilian President Humberto Castello Branco...

Author: /time Magazine | Title: France: Le Grand Voyageur | 9/25/1964 | See Source »

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