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Among the one hundred and thirtyeight works are pieces by Rouault, Klee Picasso, Durer, Renoir, Canaletto, and Toulouse-Lautrec. All were lent by thirtyeight Harvard and Radcliffe undergraduates, and over half are works of this century...

Author: By Bartle Bull, | Title: 'Student Collections' Opens Before Capacity Audience | 2/12/1959 | See Source »

...exhibit will consist entirely of student-owned works of art, and will include paintings, drawings, graphic art, and sculpture of the Western world. All of the one hundred and thirty-eight works, which include pieces by Rouault, Klee, Picasso, Durer, Canaletto, Renoir, and Toulouse-Lautrec, were lent by thirty-eight Harvard and Radcliffe undergraduates...

Author: NO WRITER ATTRIBUTED | Title: Objects d'Art Prepared for Exhibit | 2/6/1959 | See Source »

...early and not especially rewarding Picasso that cost just $45,000 three years ago, was bought by Kirkeby only last year for a whopping $185,000. His loss on that canvas was more than compensated by record-breaking prices for a golden clutch of modern favorites: Modigliani, Rouault. Bonnard. Vlaminck, Signac, Morisot. Pissaro and Segonzac. The whole thing had the fever of a poker game, with the blue chips in the hands of professional gamblers...

Author: /time Magazine | Title: Art: Under the Boom | 12/1/1958 | See Source »

...Renoir's painting, however. Maillol seemed always to have been at one with a Classical harmony, a Classical grace, a pure vision. The absence of turmoil and conflict which marks Maillol's sculpture and drawing is as fascinating in terms of his life as in regard to his work. Rouault, too, maintained a constant and intensive vision throughout his career, but the difference in temperament here is immense. Maillol, working until 1944 with a turn-of-the-century ardor, seemed to exist in a rapport with nature usually thought of in connection with the highest days of Greece. His sculpture...

Author: By Paul W. Schwartz, | Title: Maillol | 11/22/1958 | See Source »

Died. Maurice de Vlaminck, 82, earthy celebrator in paint of storm-clouded landscapes, a leader (with Henri Matisse, Georges Rouault) of the flamboyant Fauves (wild beasts) who shocked Paris art circles near the century's turn; at his farmhouse near Paris. The son of musician parents, husky Maurice worked intermittently as a factory hand, bicycle racer and gypsy fiddler, turned intently to painting in his 205 after his first awed exposure to the explosive colors of Van Gogh and a chance meeting with Fauve-to-be Andre Derain. Vlaminck became famous overnight after shrewd Dealer Ambroise Vollard bought...

Author: /time Magazine | Title: Milestones, Oct. 20, 1958 | 10/20/1958 | See Source »

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