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...impetus. The marvelous characteristically Baroque drive and momentum are there, thanks in part to the right pace throughout. To this end he has wisely allowed only one ten-minute intermission. And he insisted that there be no pause or lowering of curtain between scenes, a demand that fortunately Rouben Ter-Aruntunian's ingeniously mobile slatted sets and a precision-drilled stage crew have been able to meet. He moves his cast fluidly over the stage and the apron that projects into the audience; his blocking of characters is imaginative and tastefully unmechanical; and the "stage business" and byplay are always...

Author: By Caldwell Titcomb, | Title: Shakespeare's 'Othello' | 7/1/1957 | See Source »

...mass-produced efficiency of a motor car from Detroit. One of the most experienced craftsmen of the musical comedy industry, George Abbott, has provided the book and the direction. The music and lyrics by Bob Merrill, as well as Bob Fosse's choreography, are workmanlike, and Rouben Ter-Arutunian's sets provide the required amount of variety and glitter. And for the touch of glamor that looks good in the ads, there is the star, Gwen Verdon. As a result of the combined reputations of all these people, the vehicle ought to glide smoothly through a year...

Author: By Thomas K. Schwabacher, | Title: New Girl in Town | 4/19/1957 | See Source »

...Taming of the Shrew, a brisk Shakespearean gallop which showed Maurice Evans at the top of his form as the impetuous Petruchio. while Lilli Palmer gave smouldering life to the imperious Kate. Staged with wit and imagination by The Hit Parade's William Nichols and costumed brilliantly by Rouben Ter-Arutunian, Shrew was one of the best of Maurice Evans' productions...

Author: /time Magazine | Title: Radio: The Week in Review | 4/2/1956 | See Source »

...name? "Beedle!" exclaimed a Paramount executive. "It sounds like an insect." Just then his secretary announced that William Holden, a West Coast newsman, was on the wire. That took care of the name, now all Bill needed was a part. Fate got busy again. Over at Columbia, Director Rouben Mamoulian saw Bill's screen test, grabbed him for the title role of Golden Boy, the Clifford Odets play about a young pug who could hit like Marciano and fiddle like Paganini...

Author: /time Magazine | Title: Cinema: The Conquest of Smiling Jim | 2/27/1956 | See Source »

...sooner students and alumni can get the Administration to build a new House, the better," Rouben A. Brower, Master of Adams House, added...

Author: By Steven R. Rivkin, | Title: Masters Consider Extra House Vital | 9/26/1955 | See Source »

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