Word: rouche
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Visu S-193, "Workshop: Film and Anthropology," offers a veritable trip around the world and through the human psyche. For a workshop tuition of $785, Emile de Brigard, director of film research, Robert G. Gardner, director of the Peabody Museum film study center and Jean Rouch, visiting audio-visual professor from the University of Paris will teach human behavior as seen through non-fiction films...
...group of filmmakers to start as critics became the first major group of filmmakers to start as critics, a background which has continually influenced their work. About four years ago, a film entitled Paris Vu Par (literally "Paris as seen by...") was organized. By including three "established" directors (Chabrol, Rouch, and Godard) along with three young directors (Douchet, Pollet, and Rohmer) and by shooting in 16mm rather than the more expensive 35mm, an economically feasible means was found to give the second generation Cahiers critics a chance to follow the path of the first. The result is surprisingly successful, containing...
...OTHER films, Jean Rouch's "Garedu Nord" is perhaps equally stunning and disturbing. Rouch who, along with Chris Marker, invented Cinema-verite (the difference between Maker and Rouch and the recent American copies is roughly that between the incredible Hitchcock of Vertigo and the bankrupt Polanski of Repulsion) is a master at forcing an audience to change their sympathies. Fantastically aware of the possibilities of a frame, Rouch can totally confuse a complacent viewer by having an actress turn her body about thirty degrees and in so doing undermine her earlier sympathetic position. In "Gare du Nord" these abrupt shifts...
...Wave's conception of film comes from Neo-Realism (Antonioni, visconti, Rossellini, de Sica, Fellini). Neo Realism's original choice of social reality for subject-matter and its tendency to documentary as method had a tremendous influence in France, giving rise to a large school of French documentarists (Jean Rouch, Chris Marker) and a larger consciousness of film as more that a purely fictional narrative medium. Andre Bazin, father of modern film criticism, stressed the integrity of the photographed event, the virtue of films which preserve a measure of reality's implicit ambiguity instead of analyzing reality for perfect clarity...
...deal with movies, the reality of the image rarely coincides with our own image of reality. Although cinema-verite film-makers attempt to capture life as we know it, the presence of the camera alters reality, affecting the spontaneity of those conscious of being filmed. The greatness of Jean Rouch's Chronicle Of A Summer rests largely in its being a deliberate study of how lives change in the prolonged company of a camera. On another level, editing and use of subjective techniques, from point-of-view shots to the optical changes defined by the variations in different lenses, defeat...