Word: rougeã
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...systematic mass murder of approximately 15,000 inmates. Now he sits in a Phnom Penh courtroom, watching his own fate unfold. Some might say that the actions of an evil but long-gone Cambodian regime 30 years ago have little bearing on the world of today. But the Khmer Rouge??s brutal genocide, which eliminated about one-fourth of Cambodia’s population, deserves to be prosecuted accordingly. Even though Duch himself cannot possibly account for more than a small fraction of Khmer Rouge atrocities, it is important to recognize the regime’s crimes...
...mixed children of Aboriginals and whites as well as a climactic raid on Darwin by the Japanese.Clearly, “Australia” is an ambitious movie, and it soars and stirs when operating on a grand scale. Luhrmann, whose past credits include “Moulin Rouge?? and “Romeo + Juliet,” delivers beautiful, jaw-dropping imagery that seems to spill forth from the screen. A stampede of a thousand cattle rushing towards the edge of a cliff, a desert transformed into a paradise, a city torn apart by bombing?...
...Zeta-Jones or one of the other stars of the movie to come here for the premiere of “Chicago.” Now and again, they burst into a spontaneous rendition of “Come What May” from the “Moulin Rouge?? soundtrack. But eventually, an actor always comes in, and they switch into professional mode. The constant stress is starting to wear on everyone involved. People conducting auditions in nearby rooms ask the “Chicago” people to keep it down. The lack of space...
...stage production. Out of fear of losing what was best about the show, the creative team has changed almost nothing. The sets, the costumes, and the performances are carbon copies of its predecessor.Recent movie musicals such as “Chicago” and “Moulin Rouge?? were successes because they went beyond the limitations of a stage production. In “The Producers,” a static camera, minimal editing and washed-out lighting give the impression of a banal sitcom. The cast also fails to adapt stage acting to film acting?...
...Towers”—the unnecessary additions to the story do not enhance the audience’s appreciation for “Narnia” and become almost unbearable to watch. Whether it is the fault of the cinematographer, Donald McApline (“Moulin Rouge??), or the artistic direction team (who perhaps unsurprisingly, worked on “Lord of the Rings” and “Star Wars: Episode III”) the computer-animated talking animals, fauns, and centaurs look simply unrealistic in a land that’s more Magic...