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...Retired top U.S. military officers who until recently were responsible for the Balkans say the plan may embolden the Bosnians to seize land now held by the Bosnian Serbs. Boyd suggests it would be better to leave well enough alone, saying both sides are war weary and that a rough military stability already exists. Retired General David Maddox, the chief U.S. Army officer in Europe until last year, also criticizes the policy. "The more we do to make sure they can fight well," he says, "the less motivation there is for peace...

Author: /time Magazine | Title: BOSNIA: GENERALS FOR HIRE | 1/15/1996 | See Source »

Union spokesperson Deborah Chernoff said the move might force some graduate students to drop out of school and added that foreign graduate students might have a rough time because they can't get work visas...

Author: NO WRITER ATTRIBUTED | Title: Yale Draws Line in Sand for TAs | 1/8/1996 | See Source »

RESIGNING. ERIC OBER, 53, president of CBS News; in New York City. Ober walks the plank after five rocky years at the helm, piloting the network's news division through the rough seas of cost cuts, declining ratings and the ill-fated pairing of shipmates Connie Chung and Dan Rather...

Author: /time Magazine | Title: Milestones Jan. 8, 1996 | 1/8/1996 | See Source »

...back, and Bruce Springsteen returned to his roots. Discoveries in science (cave drawings in France) illuminated man's earliest days, and the big news in sports was comebacks (Northwestern?). Even in politics, Colin Powell harked back to an era when presidential candidates could emerge, Ikelike, untainted by the usual rough-and-tumble. Still, the year also had much that was new: Toy Story and Arcadia, Smashing Pumpkins and smashing TV courtroom drama (some of it real life). All that and some nifty Nikes too. So step up, 1995, and take...

Author: /time Magazine | Title: FROM THE BEATLES TO CAVE RHINOS | 12/25/1995 | See Source »

Brancusi was after a healing wholeness. He didn't care about "truth to material," but he did strive to make the action of the hand and the movement of thought one. He believed that every aspect of sculpture--whether rough, like his urgently hewn oak and walnut carvings, or exquisitely nuanced, like his marble head or bird forms, polished to the point where light and substantial weight become mysteriously the same--needed to be manual before it could be whole...

Author: /time Magazine | Title: ART: FUNK AND CHIC | 12/18/1995 | See Source »

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