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Although Hass’s section of new poems does not seem as polished and schematized as the segments selected from his previous collections, its slightly rougher quality helps the poet present his work as if he were giving his reader a privileged view into his private journals. The new poems of “The Apple Trees at Olema” show that Robert Hass continues to write verse that approaches both the natural and the human world with a close, scientific eye. This new collection is a celebration of the beauty he finds in the order of both...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: ‘The Apple Trees at Olema’ Displays Poet Hass’s Scientific Eye | 4/6/2010 | See Source »

...first scene of “The Yellow Handkerchief,” the viewer is introduced to Brett Hanson (William Hurt), a middle-aged oilrig worker affecting a rougher Dr. Phil, recently released from prison and heading to the local convenience store for a beer. A minute or two later, he meets up with a heartbroken young woman (Kristen Stewart of “Twilight” fame) and an odd, lanky teenage boy from California (Eddie Redmayne) who is pursuing her. Chance unites the three in a single car crossing a river by ferry, and when the ferry?...

Author: By Parker A. Lawrence, CONTRIBUTING WRITER | Title: The Yellow Handkerchief | 3/23/2010 | See Source »

...Brown meet was a little rougher than we expected,” Brunnick said. “The second half of the meet we were able to get our act together, but the first half we were losing close races...

Author: By Alexandra J. Mihalek, CRIMSON STAFF WRITER | Title: Crimson Sweeps Senior Weekend | 1/25/2010 | See Source »

...second half was decidedly rougher than the first. Trying to clear the ball out of the box, co-captain Lizzy Nichols took what looked to be an elbow to the nose and was escorted off the field with a towel to her face...

Author: By Christina C. Mcclintock, CONTRIBUTING WRITER | Title: Crimson Get Blanked by Visiting Princeton | 10/26/2009 | See Source »

...uninspired songs demonstrate, the album’s collaborators largely failed at matching their individual musical strengths with the different moods of the album. Specifically, Gibbard’s sensitive and delicately emotive voice is best suited to melancholy and thoughtful melodies. By contrast, Farrar’s deeper, rougher twang enlivens gritty, hard-up tracks, but his nasally drawl drags down slower paced songs, making them sound whiny, not wistful. On the whole, this album, though fortified by a few well-crafted tracks, fails to adroitly engage its source text and the vocal talents of its creators...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: Ben Gibbard and Jay Farrar | 10/23/2009 | See Source »

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