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...Rough Magic is a gripping, exhaustively researched study of the ever-fascinating Sylvia Plath. Paul Alexander is the first biographer to write without the permission of the Hughes estate, and from this stem both the book's weakness and its strength. Had the book been dependent on the approval of the estate, Alexander would never have been able to make the convincing argument that Plath's stormy marriage had a direct, if not causal, relationship to her suicide. On the other hand, the Hughes estate would probably have excised many of Alexander's overly simplistic generalizations...

Author: By Vineeta Vijayaraghavan, | Title: Plath Biography Lacks Magic | 10/17/1991 | See Source »

Membership figures are even harder to come by, since Mrs. Eddy ordered that they be kept secret. Outside estimates put the current total at around 150,000. By all indications, the ranks are thinning -- and aging. One source holds that since the 1950s, the worldwide number of "practitioners," the rough equivalent of clergy, has plummeted from...

Author: /time Magazine | Title: Tumult in The Reading Rooms | 10/14/1991 | See Source »

Over Babi Yar, there are no memorials. The steep hillside like a rough inscription. I am frightened. Today I am as old as the Jewish race. I seem to myself a Jew at this moment. I, wandering in Egypt. I, crucified. I perishing...

Author: By Beth L. Pinsker, | Title: Remembering Babi Yar | 10/11/1991 | See Source »

...live monologues. These conversations with ourselves are the endless, anarchic commentary running in our brains. They contain -- just barely -- our rage and desperation. They are the rough drafts of spoken discourse, the side trips into daydream irrelevancies, the lusts and prejudices left unsaid but so deeply felt. Ultimately, our interior monologues amount to a lifelong novel in progress, or perhaps the world's windiest suicide note. Transcribed, they could tell more about what we are than everything...

Author: /time Magazine | Title: Side Trips into Daydream | 9/30/1991 | See Source »

...record of Seurat's thought lies as much in his drawings as in his final paintings. He drew on Ingres paper with Conte crayon, a waxy black stick that, stroked over the rough surface, produced a slightly blurred line and deep granular tones -- the equivalent of his intricately speckled surfaces in painting. And he was a great draftsman -- one of the greatest since the Renaissance, worthy, at the top of his form, of being compared to Rembrandt or Goya...

Author: /time Magazine | Title: Art: Against The Cult of the Moment | 9/23/1991 | See Source »

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