Word: roughs
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The parallel wasn't lost on anyone: the kid was Rocky. Najai (Nitro) Turpin, 23, was one of 16 boxers chosen for The Contender, an NBC reality show featuring Sylvester Stallone as a co-host. Like Sly's character, Turpin had come up against the odds in a rough part of Philadelphia. The show's producers even taped Turpin running up the steps of the Philadelphia Museum of Art in triumph, just like Rocky. "They always told me, 'You're gonna have to fight your way out of the ghetto,'" Turpin says in a voice-over. "That's what...
Even after Bob Rubin’s grooming, University President Lawrence H. Summers’ rough edges grate his contemporaries. The latest Summers brouhaha—courtesy of a hostile Faculty of Arts and Sciences meeting on Tuesday—is the same old story told and retold in The New York Times since Summers took over the Treasury. He’s gruff, sartorially sloppy, colleagues consider him aggressive, even arrogant. Also, he’s brilliant—one of the sharpest minds in President Clinton’s cabinet. He’s a potential Nobel laureate...
...want to give his real name for fear that he might jeopardize his chances of being allowed to live in Australia permanently. But when the 31-year-old Iranian was stopped nearly five years ago with 120 other people in a boat heading for Australia, he says the rough reception from officials convinced him that he'd fled into a situation as intolerable as the one he'd left. Certain he was about to be deported, Farhad feared that if he told immigration staff about his clandestine pro-democracy activities, they might send the information back with him to Iran...
...just as the Disney board is considering CEO candidates. At the end of an argument between him and ABC chairman Lloyd Braun, Iger gets so agitated that he accidentally hits a waiter, who spills coffee down Iger's shirt. Not that Iger's own treatment was better. During a rough patch, Ovitz suggests that Eisner give Iger a gift to shore up his confidence. Eisner balks. "Don't you want him to be comfortable, happy in his job?" Ovitz asks. A beat passes. "Not really," Eisner says...
...clearly an attempt to reintroduce that sense of sincerity. Oberst sings “Lua” without any kind of accompaniment, going for the quiet, tortured style he had delivered so effectively on previous albums. And while the song is beautiful, it’s a rough fit with the rest of the album, and feels like much more a half-hearted throwback than anything else. Oberst has bought into his own personality cult, and as a result, his homegrown pretensions, once endearing, become unbearable. The first track begins by recounting the story of some victim of a plane...