Word: roulston
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Dates: during 1960-1969
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Taking its title and its cue from Shakespeare's Sonnet 29, the final moments of the play are unbelievably lyrical. Queenie is offstage. In her place, we watch Smitty (Tom Roulston), the young innocent who has become a cruel opportunist, try to express his honest concern for Mona (Frank Storace). Under Patricia Flynn's direction, the conversation, the pleading, the reaching, and the grappling tumbles out so quickly that an audience can't sort out all that is happening. We see love as the confusing and desperate and tortured state it sometimes it. And, for once, we feel it, when...
...future impatience with your editorial policy will be tempered by my remembering your respectful gesture to T. H. White [Jan. 24]. Thank you for writing so well of one who wrote so well. And thank you for placing him where he truly belonged: The World. ALLISON HILL ROULSTON New York City A Cluck & A Cackle...