Word: rousers
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Dates: during 1960-1969
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...show was then redesigned to Gleason's order. The title song, originally a ballad for Richard, was changed to a superfluous (if nice) rouser that Gleason could handle. A weak director was hired and the libretto's somber tinge was submerged in fireworks. The show ran for a year, but had another producer (such as Hal Prince, whose West Side Story had revolutionized the Broadway musical the year before) besides Merrick done it. Take Me Along's life would surely have been much longer. (It is interesting to note that co-author Stein went on to write two great serious...
...Nazi. His own background is impeccable. As far as is known, he was not a member of the Nazi Party, and his distinguished Prussian Junker family was active in the anti-Hitler resistance (a half-sister was executed by the Nazis in 1944). He is not a rabble-rouser by any means: he speaks forcefully but with little passion, devoting much of his speeches to denying charges of Nazism. When hecklers interrupt, he either rebuffs them with sarcasm or stands coolly by, purling on a cigarette, until the ruckus dies down. Occasionally, he has even given his detractors time...
DUANE EDDY is an unusual inclusion, but his twangy guitar conveys an individual expressiveness the equal of any voice. The rocking guitar of Rebel Rouser and Movin' and Groovin' is one thing, but the isolated echo that haunts The Lonely One and Because They're Young is an instrumental experience...
Shredded Mantle. King has heard himself dubbed a rabble-rouser before; now, for leaving the march, he was called a coward as well. Ignoring the intransigent role that Mayor Loeb had played in stoking the Negroes' discontent, King's critics called upon him to cancel his "poor people's march" on Washington next month; some demanded federal curbs against it as well. Undismayed, though his nonviolent mantle was in shreds, King vowed to press ahead with the Washington demonstration and lead another march on Memphis this week...
...Rebel Rouser, Duane Eddy...