Word: rousseau
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...clearly and vividly that the reader may feel he has seen the nonexistent epic. Titled The Confessions: Part I, it is the first film in a projected trilogy that is to be the realization of Todd's dreams. Imprisoned in Germany during World War I, he read Jean-Jacques Rousseau's Confessions, and it took over his powerful imagination. Todd's catastrophe is that by the time he has finished Part I to his maniacal standards, it is 1931, and the arrival of sound has rendered his 5-hr., 48-min. extravaganza a "splendid three-masted clipper ship . . . magnificent...
...Tahitians? Most of early Matisse seems present in the twining lines and harsh dissonances of red, yellow and green with which Gauguin pictured himself 15 years before in the sardonic Self-Portrait with Halo, 1889. Gauguin's sculpture and painting were basic to German expressionism, and even Henri Rousseau seems to have based his Sleeping Gypsy on Gauguin's goose-pimply image of erotic shame, The Loss of Virginity...
...compromise revision of their canon. This fall the original 15 books, all of them written by white, Western males, will be pared down. Out goes Homer, as well as Darwin and Dante. The six new requirements are unspecified works from Plato, the Bible, St. Augustine, Machiavelli, Rousseau and Marx. Next year Stanford's Western Culture Program will be formally replaced by CIV. All freshmen will read works "from at least one" non-European source chosen by the professor, who is required to give "substantial attention to issues of race, gender and class...
...comparing herself to other orphans, real and imaginary, Simpson tells many touching tales: how Rousseau was so devastated by his father's disappearance that he abandoned his own children; how Jane Eyre was scorned by Mr. Rochester in the cruel words "Who in the world cares for you?" Simpson's efforts to sketch from these case histories a kind of psychology of orphanhood, however, do not get much beyond repeated cries of suffering and loss. Thus Bertrand Russell: "The centre of me is always and eternally a terrible pain -- a curious wild pain -- a searching for something beyond what...
...American architectural thought (as distinct from mere building). His particular inspiration was one structure, a Roman temple known as the Maison Carree at Nimes in the south of France. All the architectural work he had admired during his years as American Minister to France from 1785-89 -- Pierre Rousseau's Hotel de Salm, the Pantheon, the mock ruins of the Desert de Retz, the designs of dead masters like Andrea Palladio and living architects like Etienne Louis Boullee and Claude Nicolas Ledoux -- would leave their traces in his own designs, but the Maison Carree was decisive for American architecture...