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...Harlan Lane points out in The Wild Boy of Aveyron, the child who grew up in the woods of central France entered a world of misconceptions when he surfaced in 1800. Philosophers expected him to fulfill Rousseau's ideal of the "Noble Savage," while a new breed of doctors eyed him for a test of behavior modification. So many ogling spectators filled the streets when Victor was first taken to Paris, in fact, that he became victor and began to bite the scores of outstretched hands...

Author: By Mark T. Whitaker, | Title: A Noble Savage? | 6/2/1976 | See Source »

...continued existence of Israel, but the threat the resolution posed for the survival of "Western democratic principles." To read the actual text of his general assembly speech, one might think that Ben-Gurion, Rabin and Meir were less under attack by the resolution than Locke, Hobbes and Rousseau...

Author: NO WRITER ATTRIBUTED | Title: A Time For Reconciliation | 2/14/1976 | See Source »

...extravagant conflation of Horatio Alger and Doctor Faustus whose claim to fame lies buried in a "vast mass" of barely decipherable manuscripts. Having burrowed through this trove of papers, Rowse now announces that Forman "has exposed himself as no one has done, not even Pepys or Boswell or Rousseau, and with more naive candor and ingenuous truthfulness than a Henry Miller...

Author: /time Magazine | Title: Books: Horatio Faustus | 1/19/1976 | See Source »

...National Geographic tape of the warrior drums of Burundi with Mitchell playing Moog synthesizer and guitar. She sings a poem with images such as "Thru I-bars and girders, thru wires and pipes/Thru the mathematic circuits of the modern nights" and allusions to the French primitivist painter Henri Rousseau as well as The African Queen. But "The Jungle Line" drones after the first few lines, and unfortunately, musical innovation extends to the abandonment of bridges...

Author: By Tom Blanton, | Title: Moog and Metaphors | 12/18/1975 | See Source »

...reports of Caribbean cannibalism, painted an Inferno whose Satan wears a feather crown. But in general it was the noble Indian who would predominate. He became decorative in the late 17th century and positively rococo in the 18th, peering from cartouches, dallying under formalized palms. The ideas of Rousseau transmuted him into a red-skinned Cato or Brutus garbed in instinctive rectitude. And as he began to perish along the white frontier, the theme of racial destruction in a wild, vast landscape evoked lamentations from romantic artists who had never been there-especially from Delacroix, whose Les Natchez...

Author: /time Magazine | Title: Art: Arcadian Vision | 12/15/1975 | See Source »

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