Word: roux
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When he died on the French Riviera in 1955, genial Paul Roux had no bank account and less than $100 in cash, but he was still able to leave behind a fortune. "This bouquet, this Colombe d'Or," he wrote to his son Francis, "I leave to you." The Golden Dove was his hotel-restaurant in tiny Saint-Paul-de-Vence-a restaurant like no other in the world...
Rossini: Le Comte Ory (Sari Barabas, Cora Canne-Meijer, Juan Oncina, Michel Roux; the Glyndebourne Festival Orchestra and Chorus conducted by Vittorio Gui; Angel, 2 LPs). "A collection of diverse beauties," said Berlioz of Rossini's next-to-last opera, "which would make the fortune not of one but of two or three operas." The melodic beauties are there in full measure, as this first recording of Le Comte demonstrates, but linked together they constitute not three operas but a splintered fragment of one. The work has some rich ensemble climaxes and some rippling solo parts, but after...
...emphasis on speed and convenience has attracted millions of new customers. The oldtime mudpacks have been replaced by Pond's 37-second face cream; Mrs. Potter's walnut-juice stain, a turn-of-the-century hair dye, has given way to Roux's five-minute hair rinse. The squeeze bottle and the aerosol container have revolutionized the use of old products, led to new ones, e.g., hair spray, which has grown to an $84 million business in only seven years...
Honegger: A Christmas Cantata (Michel Roux; Lamoureux Orchestra, choirs and organ conducted by Paul Sacher; Epic). A pacing, brooding opening chorus wells up to a shrieking appeal to the Saviour. After that, the music carries on with more competence than excitement, but it does weave in several Christmas carols (sung in their original languages by children) to make a big, festive impression. A typical work by the first member of France's famed...
...independent movie, Sixteen Fathoms Deep. As the color is incorporated in the negative, making it possible to record it with an ordinary black & white camera, General Aniline hopes that Ansco will eventually compete with Technicolor. In some Sixteen Fathoms scenes Ansco Color, like the new Rouxcolor of Paris' Roux brothers (TIME, June 7), seemed far more natural than the more expensive Technicolor. But in other scenes Ansco Color was washed out, and faces were often only pale blobs. Ansco blamed most of the faults on the low ($175,000) producing budget, hopes to do better next time...