Word: royale
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Dates: during 1920-1929
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...Christmas Tale" by David Garrick may also be seen. This is a first edition and is written to be played in the Theater-royal in Drury-Lane. There are several pages of water color illustrations by Randolph Caldecotte in the same case...
...courtyard of St. Damascus came a final disembarkment from the royal motors. Self-conscious reporters in swallowtail coats noted in Their Majesties' party the fascinating brown beard of Italian Foreign Minister Dino Grandi, "The Right Hand of II Duce," and the brigand-like black mustache of Cesare Maria di Vecchi, Count di Val Cismon. Italian Ambassador to the Holy See. Swiss drummers in velvet hats thumped yellow-painted drums. Swiss bandsmen blared the Italian royal anthem (the first time that such music had echoed from the Vatican's sacred walls), and followed it with the Papal hymn Inno...
...strange. Although the corridors they marched through, the stairs they climbed, were familiar to most Romans, Their Majesties had only seen them in photographs. Right and left they peered like tourists. In the Hall of St. John, antechamber to the Sola del Tronetto (room of the "little throne"), the royal and papal procession stopped. Two bussolanti (official door openers), in scarlet damask knee breeches, flung wide the doors. There, smiling benignly through his steel rimmed spectacles, stood the Pontifex Maximus...
...months, every move, every gesture of this auspicious tableau had been argued and arranged between committees of papal and royal experts in etiquette. Chief rub: Papal etiquette demanded that visiting sovereigns should kiss the Pope's toe. Vittorio Emanuele, or Benito Mussolini, found this unbecoming to the dignity of the House of Savoy (TIME, Nov. 25). Hence the compromise, the one-kneed genuflection. His Holiness did not leave Their Majesties kneeling long. Quickly he motioned them to their feet, led them to two armchairs placed on a level with and on either side of his "Little Throne,"* which...
King Alfonso XIII seldom visits Barcelona, though it is one of Spain's important cities and he has there a sumptuous palace with a plenitude of peacocks. He avoids it because the Catalans, no lovers of the monarchy, think nothing of regicide and occasionally throw bombs at royal persons. They are revolutionaries to a man and their principal city is a fester of social and political unrest. José de Creeft, sculptor, is no exception. Born in Guadalajara, he studied in Barcelona and has been an art-rebel since his early days. He shocked and amused Paris with...