Word: royale
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Dates: during 1960-1969
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...eldest daughter of Cambodia's Prince Norodom Sihanouk, looks as serene and elegant as the white frangipani blossoms that she usually scatters through her hair. Now she was wearing the 6th century headdress, valued at $200,000, that marks her position as prima ballerina in Cambodia's Royal Ballet. It is a 2,000-year-old tradition that the leading dancer be the daughter of the king-and though Sihanouk has renounced his royal title, Princess Devi is prima in the hypnotic dances, which, she says, are "witnesses to the past grandeur, glory and imperishable grace...
...Edinburgh, 15-year-old Alex Smith, Europe's first lung-transplant patient, died last week. Doctors at Edinburgh's Royal Infirmary had told the boy's father that the new lung would require at least twelve days to establish itself. Before it could, young Smith's remaining lung, also damaged by swallowed weed killer that prompted the transplant, collapsed...
Across the Lincoln Center Plaza at the Metropolitan Opera House, the Royal Ballet presented a striking contrast in style and temperament. The City troupe evokes the high-rising glitter of curtain-wall skyscrapers; the Royal reflects the spacious, gracious luster of Britain's princely mansions. Choreographically, the City Ballet shines best in one-act works. The Royal prefers full evening ballets in the classic tradition, like Kenneth MacMillan's fustian Romeo, and Juliet, Sir Robert Helpmann's production of Swan Lake, and Rudolph Nureyev's Nutcracker...
...special way, it was Nureyev's season. He performed at least three nights a week-most often in tandem with Margot Fonteyn, still a ballerina of faultless style at the age of 49. Nureyev also had a hand in the choreography of three productions that the Royal brought with it. The best were derivative-works restaged from the repertory of his former company, Russia's Kirov Ballet. By far the worst was his muddied Freudian version of The Nutcracker, in which Drosselmeyer, with a Humbert-Humbert lurch, is transformed into the prince who pays court to the Lolita...
...Bolshoi Ballet detailed a 39-star detachment from its massive, 250-strong company to occupy the Metropolitan Opera as soon as the Royal Ballet left. Leading the company was Maya Plisetskaya, a ballerina assoluta of the broad, open Moscow style, which makes the sheer physical act of moving beautifully through space look like a natural way of life. The Russians offered virtuoso, bravo-catching nights of pinpoint turns, rock-steady balances and astronautic high leaps. But there was little to praise in the undernourished bits, snippets and shards of 19th century choreography that provided the vehicles for the Bolshoi...