Word: royalism
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Dates: during 1980-1989
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...magazine its distinctive mix of Australian energy and traditional TIME quality. Last May, for example, he assigned Queensland Correspondent Frank Robson to find out why a number of Aborigines were dying in prisons and jails under mysterious circumstances. At the same time that Robson's cover story ran, a Royal Commission was established to investigate the problem. Last month TIME AUSTRALIA won two of the prestigious W.G. Walkley awards, Australia's highest journalism prizes, for Robson's story and for Photographer David May's cover picture of jailed Aborigines. The prizes and the special issue are, as they...
...hardly visit the great exhibition of English Gothic art, "The Age of Chivalry," which opened this month at the Royal Academy in London, without mixed feelings of delight, surfeit and loss. The first, obviously, because this is the first show to trace so large a part of England's cultural inheritance. It starts in 1216 with the enthronement of Henry III and ends with the death of the last Plantagenet, Richard II, in 1399, a span of nearly 200 years that brought Gothic art to England from France...
...donjons that the feudal barons built along the Seine and the Loire at the end of the 11th century, but in English cathedrals like Wells (constructed between 1186 and 1300) it acquired a definitive grandeur as the sign of the Church Militant. No cathedral will fit in the Royal Academy, but other things have. To see the engrafting of a high ecclesiastical and court style from across the Channel onto the Anglo-Saxon stock, set forth in these objects, many of which are of the highest aesthetic quality, is fascinating...
...that Eton was no longer worthy of his time. He bought himself a car and headed for Oxford, where although not enrolled as a student, he learned about chemin de fer and girls. When the subject of a career eventually came up, Jimmy served a brief stint in the Royal Artillery. He later went to Paris and joined his older brother Teddy in a tiny pharmaceutical business...
...erupts in the face of trouble is, the producers admit, meant as a subtle protest against the self-congratulatory individualism of the Reagan era. But with or without allusive implications, the story jolts its passive characters -- and spectators -- into a world where every action has its moral consequences. The royal family proves unheroic and useless in a crisis. Neighborliness among the peasants turns to mistrust in a brilliant song of mutual finger pointing, Your Fault. Several characters die brutally in the grasp of the giantess or at the hands of panicky fellow citizens. Yet what comes out of this chaos...