Word: royalities
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Dates: during 1980-1989
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...then in 1977 shifted to civilian status as a member of the Army Intelligence and Security Command, which tries to protect the Army against penetration by foreign spies. From October 1976 to July 1978, he was assigned as the case officer to handle a U.S. double agent code-named Royal Miter. The double agent posed as an informant for the KGB but was actually feeding Smith information on Soviet attempts to plant agents in jobs where they could acquire sensitive details about the U.S. Army. Smith met periodically with Royal Miter, although the FBI will not disclose where the double...
...walk-up apartment in Brooklyn. When she brays, "We'll be right back," the actual show also breaks for a commercial. But the spice of the device is soon overwhelmed by Mama's overcooked material. The failure is not the fault of Lila Kaye, late of the Royal Shakespeare Company (she was Mrs. Squeers and Mrs. Crummies in Nich olas Nickleby). Kaye plays Mama with manic élan, but she is giving flesh - kilos of it - to an ethnic stereotype that should have gone out with the organ grinder and his monkey...
...which they stuck into the braiding of their caps. Then the commanding officer cried, "Three cheers for the Queen Mother!" whereupon there was a rousing "Hip, hip, hooray!" As the band struck up the chords of the St. Patrick's Day march and the men filed past their royal chief, Irish eyes were brightly smiling...
...When the royal hunt of Mme. de Maintenon was turned into a piece of popular fiction in The King's Way (Harcourt Brace Jovanovich; 497 pages; $15.95), it reigned for 80 weeks on France's bestseller list. Françoise Chandernagor, 38, a French judge, has been more fortunate than most first novelists in the wealth of sources available for her imaginative reconstruction. She has drawn from the writings of two of France's great literary stylists and keenest chroniclers of the age, Mme. de Sévigné and the Due de Saint-Simon, as well...
...kiss, occurs offstage and is relayed to the audience as a Texas family's gossip. The play's teen-age sisters might be called Rosie and Gilda; they are as irrelevant to their small town's melodramas as Hamlet's foppish courtiers were to the royal carnage. Life is a soap opera they will be able to experience only vicariously...