Word: royalities
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Dates: during 1990-1999
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Though Tiepolo worked nearly all his life in Venice, he spent his last eight years in Madrid, at the court of the enlightened, relatively liberal monarch Carlos III, who would later be Goya's first royal patron. Tiepolo's influence completely pervades Goya's early work, particularly the tapestry designs in the Prado, and it continues in the late work. The title page of Goya's Caprichos, that famous image of a dreaming man around whose head owls and bats and other monsters of the unconscious are flitting, is clearly derived from the frontispiece to Tiepolo's Scherzi di Fantasia...
...associate director at the Royal Shakespeare Company back in the early '80s, Howard Davies earned his stripes by staging such Bard classics as Macbeth and Troilus and Cressida, along with occasional modernist ventures like Les Liaisons Dangereuses and Good. But whenever he suggested doing the work of American playwrights like Tennessee Williams, he was out of luck. "Nobody wanted to revive them," says Davies. "I was banging on doors, and no one was interested...
...Atlantic still lament that Broadway is overdependent on British imports, London seems to be infatuated with Americans. Transplants from Broadway like Grease, Smokey Joe's Cafe and Neil Simon's Laughter on the 23rd Floor are side by side on the West End with Andrew Lloyd Webber extravaganzas. The Royal National Theatre has just revived Richard Eyre's landmark 1982 production of Guys and Dolls, whose success inspired a string of British revivals of classic American musicals. Even so unfashionable, and quintessentially American, a pop figure as Al Jolson has gained new life on the West End: Jolson, a musical...
...world where presidential Inaugural items are hawked on TV, it doesn't seem unusual to find two members of Britain's royal family stateside peddling their wares. While Fergie was pitching cranberry juice and Weight Watchers, her former brother-in-law was in New Orleans, along with game-show hosts and Playboy bunnies, at the annual gathering of TV execs. Prince Edward--or ED WINDSOR, as he prefers to be known in the biz--sold a series of documentaries by his Ardent Productions to CBS, including Edward on Edward, a show about his great uncle, Edward VIII, who abdicated...
...gallery was the main rallying point for modernist artists like Constantin Brancusi, Georgia O'Keeffe, Arthur Dove and Marsden Hartley--as an impotent figure, a camera with a collapsed bellows. Dove himself had a prod at the reviewing establishment in The Critic, 1925--a figure meant to represent Royal Cortissoz, the much feared conservative who had dubbed modernism "Ellis Island art." It is a paper doll cut from one of Cortissoz's own reviews, mounted on a pair of roller skates for fast passage through the galleries, and holding a vacuum cleaner to dispose of modernist trash...