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...Belgian painter James Ensor is the outsider artist who made it in. An isolated and splenetic man, contemptuous of both authority and the human herd, always feuding with the world and licking his wounds, he ended up all the same with money, royal honors and a secure if peculiar foothold in art history. There's a major Ensor show at the Museum of Modern Art in New York City this summer. It focuses just on work from the two decades after 1880, when he was in his 20s and 30s, but, no surprise, those were the years we love...

Author: /time Magazine | Title: Skull and Bones: The Haunted Art of James Ensor | 7/27/2009 | See Source »

...attic studio above his family's souvenir and novelty shop, a place crammed with seashells, stuffed fish, old books and the Flemish carnival masks that crowd so many of his canvases. His only long absence from the city began in 1877, when he headed to Brussels and the Royal Academy of Fine Arts, trying and failing to become the academic painter he was never suited to be. Three years later, he was back in Ostend, making highly capable portraits, still lifes and domestic interiors and looking very likely to end up a lifelong observer of the bourgeois home front...

Author: /time Magazine | Title: Skull and Bones: The Haunted Art of James Ensor | 7/27/2009 | See Source »

...protests tap into a long Iranian tradition. The seeds of the 1905-11 Constitutional Revolution - which produced Iran's first parliament and constitution - were planted in the Tobacco Protest of the 19th century, when even women in the royal harem stopped smoking their water pipes to protest an exclusive concession given by the Shah to a British company. Protests, strikes and boycotts prevented Iran from becoming a British protectorate in 1920, secured the reappointment of reformist Prime Minister Mohammed Mossadegh in 1952 and - most significant of all - ended 2,500 years of dynastic rule in 1979 and ushered...

Author: /time Magazine | Title: Iran's Protesters: Phase 2 of Their Feisty Campaign | 7/27/2009 | See Source »

...billion in debt. As his star was sinking, Wiedeking went from hero in the German public's eye to a victim of his own massive hubris. In his way, Wiedeking is Germany's symbol of the greed generation, just as Bernie Madoff is in the U.S. or the Royal Bank of Scotland's Fred Goodwin is in Britain. Not a criminal like Madoff, obviously, but someone who overreached, who dreamed too big. "Porsche is another example of how the gambling mentality in global casino capitalism has infiltrated even the most down-to-earth companies and industries in Germany," complained Joachim...

Author: /time Magazine | Title: Is Porsche's Exiting Boss A Symbol of Capitalist Excess? | 7/25/2009 | See Source »

...that Courtroom 76 is shabby doesn't begin to convey its dilapidation: the walls are a mess of peeling paint, and a cascade of empty boxes partly blocks the entrance to this attic annex of London's Royal Courts of Justice. It's a far cry from the limestone and sandblasted glass interiors of the city's designer shops that are such a magnet to Russia's superrich. Yet here and in a neighboring courtroom, four prominent Russian oligarchs have been indulging in what may turn out to be the most expensive shopping spree of their lives. Never mind haute...

Author: /time Magazine | Title: Russian Oligarchs Seek English Justice | 7/24/2009 | See Source »

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