Word: royalities
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...first sign of change comes when I board the Royal Jordanian Airlines flight from Amman. It's an Airbus A320, and that is good news. It means the flight will not end with the heart-stopping corkscrew landing that characterized all my previous arrivals in smaller, more nimble aircraft. If Royal Jordanian is willing to use a large jetliner, it can only mean that the likelihood of a missile attack has greatly diminished...
...them in the traditional fashion. This isn't new in itself; what's new is the arrival of conceptual work in the dance establishment's mainstream. McGregor's Chroma, a starkly beautiful piece set in a minimalist box of white light, was the popular hit of the 2006-07 Royal Ballet season at London's Covent Garden, and led to his being appointed the Royal's resident choreographer - a radical evolution given that he has no formal classical-dance training. Other McGregor pieces are now in the repertoires of the Paris Opera Ballet, San Francisco Ballet and Stuttgart Ballet companies...
...spaces in which the body performs." By presenting the human form in a new and alien way, he wants audiences to see it through new eyes, and to understand its possibilities. Some have found the work unsettling. "You meet Wayne and he's the nicest guy," says former Royal Ballet star Darcey Bussell. "And then you see the steps and think: Hey, this is not so nice...
...McGregor performance - the mesh of high-speed detail, the interplay between the lyrical and the neurotic, the steely calligraphy of the limbs. Few choreographers make more extreme physical and mental demands on their dancers. "He likes brave people who have a willingness to try, and aren't precious," says Royal Ballet principal Edward Watson, who performed in Chroma. "Afterward you feel like your brain's been rewired." Jessica Wright, a dancer with Random, knows this sensation well: "Some of the work is mind-boggling. I love it. He's asking us to be thinking dancers, not just bodies...
THEATER IN LONDON Was William Shakespeare a shameless propagandist? Or a shrewd critic of the monarchy? One way to decide is to watch the Royal Shakespeare Company perform his full set of history plays - Richard II, both parts of Henry IV, Henry V, Henry VI's three parts and Richard III - at London's Roundhouse theater until May 25. The Histories Cycle climaxes with all eight plays in chronological order over four consecutive days - 100 years of royalty and treachery seen through Will's eyes. www.rsc.org.uk by Jumana Farouky...