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...words of The Autumn of the Patriarch, and what a way to begin a novel: the theme is artfully insinuated, an atmosphere instantly evoked like a puff of stage smoke, and all conveyed in language that generates a charge of expectancy. Admirers of Colombian Novelist Gabriel Garcia Márquez have come to expect such virtuosity. His One Hundred Years of Solitude (1970) is a flat-out masterpiece...

Author: /time Magazine | Title: Books: Numero Uno | 11/1/1976 | See Source »

With his fictional Colombian town of Macondo, Garcia Márquez created a Latin American Yoknapatawpha in which grubby fact and mythological fantasy mingled into what can loosely be called magic realism. His new novel is a more circumscribed, grimmer and more obscure work. Its setting-mainly the presidential palace of a nameless South American country-shows a little less Faulkner and a little more Kafka. The Castle, with a high temperature-humidity index, comes to mind...

Author: /time Magazine | Title: Books: Numero Uno | 11/1/1976 | See Source »

Gabriel Garcia Márquez spent the first eight years of his life in Aracataca, a steamy banana town not far from the Colombian coast. "Nothing interesting has happened to me since," he has said. His experiences there were eventually transformed into a tenderly comic novel, just published in the U.S. after three years of enormous success in Latin America. It has survived export triumphantly. In a beautiful translation, surrealism and innocence blend to form a wholly individual style. Like rum calentano, the story goes down easily, leaving a rich, sweet burning flavor behind...

Author: /time Magazine | Title: Books: Orchids and Bloodlines | 3/16/1970 | See Source »

Garcia Márquez's women are magnificent. Stern, stoic, preserved by duty and the dynastic urge, they struggle to keep their men sane. The primal mother Ursula, even at the age of 100, is so sure of her ways that no one realizes she is blind...

Author: /time Magazine | Title: Books: Orchids and Bloodlines | 3/16/1970 | See Source »

...range and length, the book is satisfyingly cohesive where it might be sprawling. The key to this unity is Garcia Márquez's treatment of time. Consider the superb opening sentence: "Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice." Such compression of time makes the novel taut with a sense of fate. Atavistic dictates of blood must be followed. Premonitions invariably come true. A series of coded predictions, written when Macondo was still young, are deciphered only when every prediction...

Author: /time Magazine | Title: Books: Orchids and Bloodlines | 3/16/1970 | See Source »

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